“Lawrence is the supreme poet of Eros. No recriminations, no reproaches, no guilt, no 'morality'. For what's 'morality' but a leash around the neck? A noose? What's 'morality' but what other people want you to do, for their own, selfish, unstated purposes?”

“You can't deny Eros. Eros wills trike, like lightning. Our human defenses are frail, ludicrous. Like plasterboard houses in a hurricane. Your triumph is in perfect submission. And the god of Eros will flow through you, as Lawrence says, in the 'perfect obliteration of blood consciousness.”

“Her visits to her former hometown were infrequent and often painful. Pilgrimages fueled by the tepid oxygen of family duty, unease, guilt. The more Esther loved her parents, the more helpless she felt, as they aged, to protect them from harm. A moral coward, she kept her distance.”

“The challenge is to resist circumstances. Any idiot can be happy in a happy place, but moral courage is required to be happy in a hellhole.”

“I do what I want to do. It was a brash statement of(her)girlhood. Now she was an adult, the boast seemed quaint. For rarely do you know what you want. Even after you've done it you can't say clearly if that was what you'd wanted or just something that happened to you, like weather.”

“No American sport or activity has been so consistently and so passionately under attack as boxing, for "moral" as we'll as other reasons. And no American sport evokes so ambivalent a response in its defenders: when asked the familiar question "How can you watch . . . ?" the boxing aficionado really has no answer. He can talk about boxing only with others like himself.”

“Why should I want what's good for me?' Beatrice asked him, smiling. 'Is that what you want for yourself - only what's good for you?”