“The act of sending a letter is an act of generosity, even if, in retrospect, it might seem reckless. Why regret one's generosity? Why regret one's impulsiveness, one's misjudgment of others? The inevitable discovery that someone is selling letters you'd written in trust is simply to discover an obvious human truth: there are those who don't cherish us as we'd cherished them, and had wished to be cherished by them.”

“She was one who wished to believe the human motives precede actions for she was (she had always been) a rational individual yet clearly there were times (was this one of those times?) when actions might precede motives and even render them useless. ”

“The Playwright had long been fascinated by the strange mercurial personality of the Actor. What is "acting." and why do we respond to "great acting" as we do? We know that an actor is "acting" and yet - we wish to forget that an actor is "acting," and in the presence of talented actors we quickly do forget. This is a mystery, a riddle. How can we forget the actor "acts"? Is the actor "acting" on our behalf? Is the subtext of the actor's "acting" always and forever our own buried (and denied) "acting"?”

“For obviously the advantage for most writers is that no one sees them. The writer is invisible, which confers power.”

“It’s up to the writer and the artist to give voice to these people. There are two impulses in art: one is rebellious and transgressive—you explore regions in which you are not wanted, and you will be punished for that. But the other is a way of sympathy—evoking sympathy for people who may be different from us—whom we don’t know. Art is a way of breaking down the barriers between people—these two seemingly antithetical impulses toward rebellion and toward sympathy come together in art.”

“. . . there is a wish in the heart of mankind to be distracted and confused. Truth is but one attraction, and not always the most powerful.”

“Storytelling is shaped by two contrary, yet complementary, impulses—one toward brevity, compactness, artful omission; the other toward expansion, amplification, enrichment.”