“The hardest thing is being with other people - it's like they're on a different wavelenght, but only you know it. They talk about their lives and what's wrong with them, and you kind of, like, just let them go. It's a whole different language, and you've got to remember that you can only respond in their mother tongue. It's really hard to relate.”

“It's a poem, for crying out loud! The beauty of poetry is that it can mean different things to different people at different times. But you know they're expecting one specific, so-called correct answer, and any other thoughtful response will be counted off. It's wrong to dissect poetry like this!”

“You get them wrong before you meet them, while you're anticipating meeting them; you get them wrong while you're with them; and then you go home to tell somebody else about the meeting and you get them all wrong again. Since the same generally goes for them with you, the whole thing is really a dazzling illusion. ... The fact remains that getting people right is not what living is all about anyway. It's getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That's how we know we're alive: we're wrong. Maybe the best thing would be to forget being right or wrong about people and just go along for the ride. But if you can do that -- well, lucky you.”

“Clary, you're an artist, like your mother. That means you see the world in ways that other people don't. It's your gift, to see the beauty and the horror in ordinary things. It doesn't make you crazy — just different. There's nothing wrong with being different.”

“it's like one of your maps. There's never just one way to get somewhere right? There are a bunch of different possibilities. Some of them take you where you want to go, some bring you home, and others go somewhere else entirely. You can be really certain about really uncertain things.”

“Before you tell yourself its a different scene remember its just different from what you've seen.”