“A large grey stone lay in the centre of the grass and he stared moodily at it or watched the great snails. They seemed to love the little shut-in bay with its walls of cool rock, and there were many of them of huge size crawling slowly and stickily along its sides.”

“Love dies in many different ways, and it's natural for the grass to seem greener on the other side. But it's not a competition; there's plenty of pain to go around.”

“At the pet store he picked out two painted turtles, each about as big around as a mayonnaise-jar lid. He bought them a large kidney shaped dish that had its own little island, a plastic palm tree, some aquatic plants, and a snail. The snail, presumably, to bolster the self-esteem of the turtles: "You think we're slow? Look at that guy." To store up the snail's morale in the same way, there was a rock.”

“A loud boom exploded the air, making Thomas jump. It was followed by a horrible crunching, grinding sound. He stumbled backward, fell to the ground. He wouldn't have believed it if he hadn't seen it for himself. The enormous stone wall to the right of them seemed to defy every known law of physics as it slid along the ground, throwing sparks and dust as it moved, rock against rock. The crunching sound rattled his bones. He looked around at the other openings. On all four sides of the Glade, the right walls were moving toward the left, closing the gap of the Doors. Then one final boom rumbled across the Glade as all four Doors sealed shut for the night.”

“The village lay in the hollow, and climbed, with very prosaic houses, the other side. Village architecture does not flourish in Scotland. The blue slates and the grey stone are sworn foes to the picturesque; and though I do not, for my own part, dislike the interior of an old-fashioned pewed and galleried church, with its little family settlements on all sides, the square box outside, with its bit of a spire like a handle to lift it by, is not an improvement to the landscape. Still, a cluster of houses on differing elevations - with scraps of garden coming in between, a hedgerow with clothes laid out to dry, the opening of a street with its rural sociability, the women at their doors, the slow waggon lumbering along - gives a centre to the landscape. It was cheerful to look at, and convenient in a hundred ways. ("The Open Door")”

“Okay, I think it's time for another distraction" Eight says, disappearing again. He reappears by the outer circle of stones, plants his hands on an upright slab, and pushes hard. All I can do is watch in horror, frozen to the spot. The huge stone wobbles and slowly tips backwards, then the horizontal slab on top falls too, and that's when Eight starts yelling, "Help! Help! The stones are falling over! Stonehenge is falling down!" I will kill him. I clench my fists at my side, which is when I realize I still have a small rock in my hand. I lean down and carefully, pointlessly, return it to its spot.”