“For if joyful is the fountain that rises in the sun, its springs are in the wells of sorrow unfathomable at the foundations of the Earth.”
J.R.R. Tolkien's quote explores the profound relationship between joy and sorrow, suggesting that true joy can only arise from an understanding and acknowledgment of deep sorrow. Through vivid imagery, Tolkien invites readers to contemplate the duality of human emotion and experience.
The metaphor of “the fountain that rises in the sun” symbolizes joy—a vibrant, uplifting force that brings life and brightness. Joy is often perceived as a spontaneous and pure emotion, akin to the radiance of the sun. However, Tolkien emphasizes that this joy is not an isolated phenomenon; instead, it is intimately connected to a deeper foundation.
By referencing “the wells of sorrow unfathomable at the foundations of the Earth,” Tolkien illustrates that sorrow lies beneath the surface of life, serving as a source from which joy is drawn. This suggests that genuine happiness often stems from overcoming adversity, grappling with pain, and finding resilience amid trials. The phrase "unfathomable" enhances the depth of sorrow, highlighting how complex and profound human pain can be.
In essence, the quote encapsulates the idea that joy and sorrow are interwoven, operating in a cyclical relationship. One cannot fully appreciate or experience joy without acknowledging the existence of sorrow; they are two sides of the same coin. This dichotomy not only reflects the complexities of human emotions but also underscores the necessity of embracing all aspects of life to achieve a deeper and more fulfilling understanding of happiness.
Tolkien's words serve as a reminder that while joy may rise high, its origins are often rooted in the darker, challenging moments of our lives, making our joyful experiences all the more meaningful.
“Pippin glanced in some wonder at the face now close beside his own, for the sound of that laugh had been gay and merry. Yet in the wizard's face he saw at first only lines of care and sorrow; though as he looked more intently he perceived that under all there was a great joy: a fountain of mirth enough to set a kingdom laughing, were it to gush forth.”
“The consolation of fairy-stories, the joy of the happy ending; or more correctly of the good catastrophe, the sudden joyous "turn" (for there is no true end to any fairy-tale): this joy, which is one of the things which fairy-stories can produce supremely well, is not essentially "escapist," nor "fugitive." In its fairy-tale -- or otherworld -- setting, it is a sudden and miraculous grace: never to be counted on to recur. It does not deny the existence of dyscatastrophe, of sorrow and failure: the possibility of these is necessary to the joy of deliverance; it denies (in the face of much evidence, if you will) universal final defeat and in so far is evangelium, giving a fleeting glimpse of Joy, Joy beyond the walls of the world, poignant as grief.”
“A red sun rises. Blood has been spilled this night.”
“The Resurrection was the greatest ‘eucatastrophe’ possible in the greatest Fairy Story — and produces that essential emotion: Christian joy which produces tears because it is qualitatively so like sorrow, because it comes from those places where Joy and Sorrow are at one, reconciled, as selfishness and altruism are lost in Love.”
“And now at last it comes. You will give me the Ring freely! In place of the Dark Lord you will set up a Queen. And I shall not be dark, but beautiful and terrible as the Morning and the Night! Fair as the Sea and the Sun and the Snow upon the Mountain! Dreadful as the Storm and the Lightning! Stronger than the foundations of the earth. All shall love me and despair!”
“Fairy tale does not deny the existence of sorrow and failure: the possibility of these is necessary to the joy of deliverance. It denies (in the face of much evidence, if you will) universal final defeat...giving a fleeting glimpse of Joy; Joy beyond the walls of the world, poignant as grief.”