“I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which 'Escape' is now so often used. Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if he cannot do so, he thinks and talks about other topics than jailers and prison-walls?”

“Why should a man be scorned, if, finding himself in prison, he tries to get out and go home? Or if, when he cannot do so, he thinks and talks about other topics than jailers and prison-walls? The world outside has not become less real because the prisoner cannot see it. In using Escape in this way the critics have chosen the wrong word, and, what is more, they are confusing, not always by sincere error, the Escape of the Prisoner with the Flight of the Deserter. just so a Party-spokesman might have labeled departure from the misery of the Fuhrer's or any other Reich and even criticism of it as treachery .... Not only do they confound the escape of the prisoner with the flight of the deserter; but they would seem to prefer the acquiescence of the "quisling" to the resistance of the patriot.”

“It is as if a person were a prisoner, and he had not only the intention to escape, which would perhaps be attainable, but also, and indeed simultaneously, the intention to rebuild the prison as a pleasure dome for himself. But if he escapes, he cannot rebuild, and if he rebuilds, he cannot escape.”

“He had wanted so hard to Escape, to find the stars. And all he had found was a new prison.”

“They [Fairy Tales] are talking about real emotions, telling true stories, through the medium of metaphor. People used to understand metaphor better than I think we do now. But these stories are so potent, they refuse to die.”

“Now that you've had other men to use as a basis for comparison,how do I rate?" he teased."That's an adolescent question," Lauren retorted scornfully.”