“A word of warning here. The events as you remember them will never be the same in your memory once you have turned them into a memoir. For years I have worried that if I turn all of my life into literature, I won't have any real life left - just stories about it. And it is a realistic concern: it does happen like that. I am no longer sure I remember how it felt to be twenty and living in Spain after my parents died; my book about it stands now between me and my memories. When I try to think about that time, what comes to mind most readily is what I wrote.”

“I can’t talk about my books. I have written them and tried to forget them. I have written once, and readers have read me many times, no? I try to think of what I wrote, it’s very unhealthy to think about the past, the case of elegies is very sad, as much as the case of complaints.”

“Doggone, I never thought I’d lose my mind.” I was startled at the time to realize this – that he had thought about it. But now that he is dead…it’s my turn to think of it – of death – and I do. I wonder how it will come to me. And when I do, I remember this moment; when my father seemed to be getting the news about his fate, about how it would b e for him, when he took it in and accepted it and was, somehow, interested in it, all at the same time, before my eyes. It was a moment as characteristic of him as any I can think of in his life, and as brave. Noble, really, I’ve come to feel.”

“I tried. I tried to burn that memory of my regret. But I wasn’t dead yet, I was just on my way to dying, and it’s harder to burn memories when you’ve still got life left. When you’re alive you have to learn how to live with things like regret.”

“I remember Mrs. Brool, whose photograph is still in the tuckshop; she served there until an uncle in Australia left her a lot of money. In fact, I remember so much that I often think I ought to write a book. Now what should I call it? 'Memories of Rod and Lines'--eh? [Cheers and laughter. That was a good one, people thought--one of Chips's best.] Well, well, perhaps I shall write it, some day. But I'd rather tell you about it, really. I remember . . . I remember . . . but chiefly I remember all your faces. I never forget them. I have thousands of faces in my mind--the faces of boys. If you come and see me again in years to come--as I hope you all will--I shall try to remember those older faces of yours, but it's just possible I shan't be able to--and then some day you'll see me somewhere and I shan't recognize you and you'll say to yourself, 'The old boy doesn't remember me.' [Laughter] But I do remember you--as you are now. That's the point. In my mind you never grow up at all. Never. Sometimes, for instance, when people talk to me about our respected Chairman of the Governors, I think to myself, 'Ah, yes, a jolly little chap with hair that sticks up on top--and absolutely no idea whatever about the difference between a Gerund and a Gerundive.' [Loud laughter]”

“It's not about you, okay? This time, it's about me. Not you. All my life, Lissa... all my life, it's been the same. They come first. I've lived my life for you. I've trained to be your shadow, but you know what? I want to come first. I need to take care of myself for once. I'm tired of looking out for everyone else and having to put aside what I want. Dimitri and I did that, and look what happened. He's gone. I will never hold him again. Now I owe it to him to do this. I'm sorry if it hurts you, but it's my choice!”