“The writer has little control over personal temperament, none over historical moment, and is only partly in charge of his or her own aesthetic.”

“I thought of the things that had happened to me over the years, and of how little I had made happen.”

“It's easy, after all, not to be a writer. Most people aren't writers, and very little harm comes to them.”

“Grandpa, in his male armchair, deaf aid occasionally whistling and pipe making a hubble-bubble noise as he sucked on it, would shake his head over DAILY EXPRESS, which described to him a world where truth and justice were constantly imperilled by the Communist Threat. In her softer, female armchair - in the red corner - Grandma would tut-tut away over DAILY WORKER, which described to her a world where truth and justice, in their updated versions, were constantly imperilled by Capitalism and Imperialism.”

“When we’re young, everyone over the age of thirty looks middle-aged, everyone over fifty antique. And time, as it goes by, confirms that we weren’t that wrong. Those little age differentials, so crucial and so gross when we are young, erode. We end up all belonging to the same category, that of the non-young. I’ve never much minded this myself.”

“The writer must be universal in sympathy and an outcast by nature: only then can he see clearly.”

“The imagination doesn’t crop annually like a reliable fruit tree. The writer has to gather whatever’s there: sometimes too much, sometimes too little, sometimes nothing at all. And in the years of glut there is always a slatted wooden tray in some cool, dark attic, which the writer nervously visits from time to time; and yes, oh dear, while he’s been hard at work downstairs, up in the attic there are puckering skins, warning spots, a sudden brown collapse and the sprouting of snowflakes. What can he do about it?”