“I screamed. You told me not to.” He rubs at the soot on one hand with his thumb, then stares at it. “The dirt,” he says, his voice strangely peaceful.“What about it?” she asks. “It’s dirty.”

“How do you know me?" she says.He looks at her through his narrow eyes. "I was," he says."You were what?" she asks."I was," he says again. "And now I'm not.”

“She glances back before stepping into the alley, and she catches her grandfather looking at her the way he does sometimes--as if she's already gone, as if he's practicing sorrow.”

“Part of the post-apocalyptic, dystopian trend is that it seems to go hand in hand with young adult novels. Maybe that's because it's not simply the adults who are aware of the current crisis. Teens are the ones who are being told, again and again, that their futures are in jeopardy. The teen years can feel dystopian even in the best of times. But I don't think we realize how much pressure and feeling of doom we're passing down to our teens.”

“Our stories are what we have,” Our Good Mother says. “Our stories preserve us. we give them to one another. Our stories have value. Do you understand?”

“Finally she said, "When I grow up, I'm going to live out here. I'll probably be a Miss Somebody, too..."Don't grow up," I told her. "It only gets more confusing.”

“First, you hand over some basics--overwhelming joy, existential angst, a giving-in to desire, etc. And then you promise to withstand talking idly about the weather, to encourage cliché, to uphold the virtues of average. You hand over the need to be understood and, in return, you get a bar of Normal soap. And you can wash in it and be daily reborn to a safe world of modest, enduring love or, at least, mild, well-mannered bonding.”