“Come sleep with me: We won't make Love, Love will make us.”

“That's how it is, Rocamadour: in Paris we're like fungus, we grow on the railings of staircases, in dark rooms with greasy smells, where people make love all the time and then fry some eggs and put on Vivaldi records, light cigarettes... and outside there are all sorts of things, the windows open onto the air and it all begins with a sparrow or a gutter, it rains a lot here, rocamadour, much more than in the country, and things get rusty... we don't have many clothes, we get along with so few, a good overcoat, some shoes to keep the rain out, we're very dirty, everybody is dirty and good-looking in Paris, Rocamadour, the beds smell of night and deep sleep, dust and books underneath.”

“But what is memory if not the language of feeling, a dictionary of faces and days and smells which repeat themselves like the verbs and adjectives in a speech, sneaking in behind the thing itself,into the pure present, making us sad or teaching us vicariously...”

“What most people call loving consists of picking out a woman and marrying her. They pick her out, I swear, I’ve seen them. As if you could pick in love, as if it were not a lightning bolt that splits your bones and leaves you staked out in the middle of the courtyard. They probably say that they pick her out because-they-love-her, I think it’s just the siteoppo. Beatrice wasn’t picked out, Juliet wasn’t picked out. You don’t pick out the rain that soaks you to a skin when you come out of a concert.”

“As if you could pick in love, as if it were not a lightning bolt that splits your bones and leaves you staked out in the middle of the courtyard. (...) You don't pick out the rain that soaks you to the skin when you come out of a concert.”

“Memory weaves and traps us at the same time according to a scheme in which we do not participate: we should never speak of our memory, for it is anything but ours; it works on its own terms, it assists us while deceiving us or perhaps deceives up to assist us.”

“The fantastic breaks the crust of appearance … something grabs us by the shoulders to throw us outside ourselves. I have always known that the big surprises await us where we have learned to be surprised by nothing, that is, where we are not shocked by ruptures in the order.”