“Sophia stood staring blankly up the stairs for an entire minute before it dawned on her that he'd used the kiss to befuddle her. Blast it all! She fumed to herself as she walked to the front window and stationed herself there.Time went by. The clock ticked. A bee buzzed against the windowpane. Dust settled. After thirty minutes had passed, Sophia had had enough. She gave the empty lane one last glance, then went upstairs.”

“She went to the window seat and sat there, sniffling, hating them all, and herself most of all. It was all her fault, everything bad that had happened.”

“The last image I had of her was her sitting on the platform at Thorpe as a group of people stared at this distressed, weeping woman, and then her charging towards the glass of my window seat as the train pulled out of the station. I had gasped, thinking she meant to throw herself under the wheels, but no, she had simply wanted to attack me, that was all. If she had got her hands on me, she might have killed me. And I might have let her.”

“She lost much of her appetite. At night, an invisible hand kept shaking her awake every few hours. Grief was physiological, a disturbance of the blood. Sometimes a whole minute would pass in nameless dread - the bedside clock ticking, the blue moonlight coating the window like glue - before she`d remember the brutal fact that had caused it.”

“She picked up the ballpoint pen lying on the table, and played with it for a few seconds, but then she looked at the clock again. It had done its job: in the five minutes since her last look, it had advanced five minutes' worth.”

“She imagined herself both queen and slave, dominatrix and victim. In her imagination she was making love with men of all skin colors--white, black, yellow--with homosexuals and beggars. She was anyone's, and anyone could do anything to her. She had one, two, three orgasms, one after another. She imagined everything she had never imagined before, and she gave herself to all that was most base and most pure.”