“A single note, held in an amber suspension of time, like a charcoal drawing of Icarus falling. It was sad and fierce all at once, alive with a lonely purity. It went on and on, until my own lungs were burning.“What bird are you calling?” I asked finally, when I couldn’t stand it any longer.The Bird Man stopped whistling. He grinned, so that I could see all his pebbly teeth.“You.”

“What bird are you calling?' I ask, finally, when I can't stand it any longer. The bird man stops whistling. He grins, so that I can see all his pebbly teeth. He holds out a hand to me over the broth-thin water. 'You.”

“It was sad and fierce all at once, alive with a lonely purity.”

“The Beginning of the End can feel a lot like the middle when you are living in it. When I was a kid I couldn't see any of these ridges. It was only after Swamplandia!'s fall that time folded into a story with a beginning, a middle, and an ending. If you're short on time, that would be the two-word version of our story: we fell.”

“I look for my sister but it's hopeless. The goggles are all fogged up. Every fish burns lantern-bright, and I can't tell the living from the dead. It's all just blurry light, light smeared like some celestial fingerprint all over the rocks and the reef and the sunken garbage. Olivia could be everywhere.”

“Stop that! What were you doing, perched on the window ledge like a big chicken?"Despite his aches and irritations, he couldn't help but grin. "I prefer to think of myself as a more noble bird, like a hawk.""I'm sure you do. But you flew like a chicken than any hawk I've seen.”

“I think something more mysterious might be happening, less articulate than any of the captioned and numeraled drawings in the 'The Spiritist's Telegraph.' Mothers burning inside the risen suns of their children.”