“I think something more mysterious might be happening, less articulate than any of the captioned and numeraled drawings in the 'The Spiritist's Telegraph.' Mothers burning inside the risen suns of their children.”

“A ghost curled like a blue snail inside her chest, and it was so tiny! It burned through the lace of her old-fashioned dress like a second heart. A musical staff wound in a thorny crown around the Spiritist's forehead, so that notes ran down her cheeks in a loose mask of song. Her eyelids were blacked out---and I saw this again and again in nightmares about my sister. Her eyelids had the polish of acorns. But her ears: that was the truly scary part. Great fantails of indigo and violet lights spiraled into her earlobes in an ethereal funnel---what the book called the Inverted Borealis. The caption read: 'A ghost sings its way deeply inside the Spiritist.”

“A single note, held in an amber suspension of time, like a charcoal drawing of Icarus falling. It was sad and fierce all at once, alive with a lonely purity. It went on and on, until my own lungs were burning.“What bird are you calling?” I asked finally, when I couldn’t stand it any longer.The Bird Man stopped whistling. He grinned, so that I could see all his pebbly teeth.“You.”

“Any place, then, can become a cemetery. All it takes is your body. It's not fair, I think, and I get this petulant wish for ugly flowers and mourners, my mother's old familiar grief. Somebody I love to tend my future grave. Probably this is the wrong thing to be wishing for.”

“At ten, I couldn't articulate much but I got the message: to be a true historian, you had to mourn amply and well. (spoken by narrator Ava Bigtree in Swamplandia!)”

“Some team! The Chief was doing so many jobs alone. I’d fix on the Chief’s raw, rope-burned palms or all the gray hairs collected in his sink, and I’d suffer this terrible side pain that Kiwi said was probably an ulcer and Ossie diagnosed as lovesickness. Or rather a nausea produced by the “black fruit” of love—a terror that sprouted out of your love for someone like rotting oranges on a tree branch. Osceola knew all about this black fruit, she said, because she’d grown it for our mother, our father, Grandpa Sawtooth, even me and Kiwi. Loving a ghost was different, she explained—that kind of love was a bare branch. I pictured this branch curving inside my sister: something leafless and complete, elephantine, like a white tusk. No rot, she was saying, no fruit. You couldn’t lose a ghost to death.”

“She doesn't know how to answer the man's question about why she snuck into the conch. She just feels like there's something she needs to protect. Some larval understanding, something cocooned inside her, that seems to get unspun and exploded with each passing year...That's the way to do it, the grown up voices whisper. Wear your skeleton on the inside out, and keep your insect heart secret.”