“Many of the presidents have sworn themselves in to similarly foolish titles: Governor of Cow Pastures, Commanding General of Standing Chickens.”

“Music is pleasant not only because of the sound of many voices,but because of the silence that is in it.”

“What bird are you calling?' I ask, finally, when I can't stand it any longer. The bird man stops whistling. He grins, so that I can see all his pebbly teeth. He holds out a hand to me over the broth-thin water. 'You.”

“A single note, held in an amber suspension of time, like a charcoal drawing of Icarus falling. It was sad and fierce all at once, alive with a lonely purity. It went on and on, until my own lungs were burning.“What bird are you calling?” I asked finally, when I couldn’t stand it any longer.The Bird Man stopped whistling. He grinned, so that I could see all his pebbly teeth.“You.”

“There's something pitiable and terrifying about the unconscious bully. His crumpled nose and hat.... This is the first true thing that Brauser and I have ever shared, this fear, besides dog-eared songbooks and cafeteria noodles.I wonder, briefly, if I could eat Brauser if it came to that.At this point, we have been alone on the glacier for fourteen minutes.”

“Some team! The Chief was doing so many jobs alone. I’d fix on the Chief’s raw, rope-burned palms or all the gray hairs collected in his sink, and I’d suffer this terrible side pain that Kiwi said was probably an ulcer and Ossie diagnosed as lovesickness. Or rather a nausea produced by the “black fruit” of love—a terror that sprouted out of your love for someone like rotting oranges on a tree branch. Osceola knew all about this black fruit, she said, because she’d grown it for our mother, our father, Grandpa Sawtooth, even me and Kiwi. Loving a ghost was different, she explained—that kind of love was a bare branch. I pictured this branch curving inside my sister: something leafless and complete, elephantine, like a white tusk. No rot, she was saying, no fruit. You couldn’t lose a ghost to death.”

“My fingers curl through the holes in the wicker, through the wet grass beneath it, trying to hold tight to the sharp blades of the present. Somewhere in my brain a sinkhole is bubbling over, and each bubble contains a scene from a tiny sunken world ... I have never been the prophet of my own past before. It makes me wonder how the healthy dreamers can bear to sleep at all, if sleep means that you have to peer into that sinkhole by yourself. ... I had almost forgotten this occipital sorrow, the way you are so alone with the things you see in dreams.”