“Our mother performed in starlight.”

“...but I believe I met my mother there, in the final instant. Not her ghost but some vaster portion of her, her self boundlessly recharged beneath the water.”

“I think something more mysterious might be happening, less articulate than any of the captioned and numeraled drawings in the 'The Spiritist's Telegraph.' Mothers burning inside the risen suns of their children.”

“Some team! The Chief was doing so many jobs alone. I’d fix on the Chief’s raw, rope-burned palms or all the gray hairs collected in his sink, and I’d suffer this terrible side pain that Kiwi said was probably an ulcer and Ossie diagnosed as lovesickness. Or rather a nausea produced by the “black fruit” of love—a terror that sprouted out of your love for someone like rotting oranges on a tree branch. Osceola knew all about this black fruit, she said, because she’d grown it for our mother, our father, Grandpa Sawtooth, even me and Kiwi. Loving a ghost was different, she explained—that kind of love was a bare branch. I pictured this branch curving inside my sister: something leafless and complete, elephantine, like a white tusk. No rot, she was saying, no fruit. You couldn’t lose a ghost to death.”

“Any place, then, can become a cemetery. All it takes is your body. It's not fair, I think, and I get this petulant wish for ugly flowers and mourners, my mother's old familiar grief. Somebody I love to tend my future grave. Probably this is the wrong thing to be wishing for.”

“Could we betray our parents by going back to them?”

“There is a rustle of dead leaves. Dried sap, a branch crack, the whirring teeth of Mr. Omaru's saw. My father--my real father--is a limb that got axed off the family tree a long time ago now. My mother coughs and cleans phantom juices off her silver with a cloth doily. My sisters clench their knives.”