“What bird are you calling?' I ask, finally, when I can't stand it any longer. The bird man stops whistling. He grins, so that I can see all his pebbly teeth. He holds out a hand to me over the broth-thin water. 'You.”

“A single note, held in an amber suspension of time, like a charcoal drawing of Icarus falling. It was sad and fierce all at once, alive with a lonely purity. It went on and on, until my own lungs were burning.“What bird are you calling?” I asked finally, when I couldn’t stand it any longer.The Bird Man stopped whistling. He grinned, so that I could see all his pebbly teeth.“You.”

“If Sawtooth could put words to the brambled knot forming in his throat, he would tell her: Girl, don't go. I am marooned in this place without you. What I feel for you is more than love. It's stronger, peninsular. You connect me to the Mainland. You are my leg of land over dark water.”

“What are you grinning at?' Nal muttered. As if in response, the gull spread its wings and opened its shadow over the miniature ruins of the castle - too huge, Nal thought, and vaguely humanoid in shape - and then it flew off, laboring heavily against the wind. In the soft moonlight this created the disturbing illusion that the bird had hitched itself to Nal's shadow and was pulling his darkness from him.”

“My fingers curl through the holes in the wicker, through the wet grass beneath it, trying to hold tight to the sharp blades of the present. Somewhere in my brain a sinkhole is bubbling over, and each bubble contains a scene from a tiny sunken world ... I have never been the prophet of my own past before. It makes me wonder how the healthy dreamers can bear to sleep at all, if sleep means that you have to peer into that sinkhole by yourself. ... I had almost forgotten this occipital sorrow, the way you are so alone with the things you see in dreams.”

“I had been eagerly waiting just such a disaster. Storms, wolves, snakebite, floods-these are the occasions to find out how your father sees you, how strong and necessary he thinks you are.”

“Even as a young man, Sawtooth had a hard time talking to women. Since moving to Out-to-Sea, he's become tight-lipped as an oyster. But he can feel the worlds pearling on his tongue: Girl, you are my moon. You are the tidal pull that keeps time marching forward.”