“And therein lay the crux of her problem. She didn’t trust God to direct her steps. When trouble loomed, she altered her course, convincing herself she was displaying wisdom and the courage of her convictions. Yet in actuality, she was surrendering to fear, letting it control her in place of the Lord’s hand”

“Lady Kathryn de Réméré understood where her duty lay. She did—truly. The hitch, though, the tricky part, the really twisty trouble was . . . . Well, she was actually having a difficult time convincing herself that her duty was to do her duty.”

“She let out a laugh, and then she put her hand over her mouth, like she was angry at herself for forgetting her sadness.”

“One day at a time. Maybe it wasn't such bad advice. Despite what she'd learned in childhood, change could be good, right? If she could just let loose and let it happen. The thought sent a tremor of fear through her. She'd learned early to hold on tightly, to control her surroundings, her feelings. But control didn't buy safety. She couldn't even control her feelings, much less anything else. Control was a false foundation that crumbled and left her vulnerable. She didn't need to control. She needed to let go and trust God, and that was hard. But he was her new foundation. She pictured it beneath her, solid and unwavering. It would be okay.”

“His affection for the human grew steadily by the day. Sometimes by the minute. And it wasn’t simply her beauty, but her utter lack of fear of everything and anything except her brother. She didn’t fear dying. She didn’t fear battle. And, most importantly, she didn’t fear Fearghus. She touched him. Ran her hands across his scales and through his mane.But it was when he covered her up with the fur and she sighed his name in her sleep, that he lost his heart.”

“Listen to a woman speak at a public gathering (if she hasn't painfully lost her wind). She doesn't "speak," she throws her trembling body forward; she lets go of herself, she flies; all of her passes into her voice, and it's with her body that she vitally sup- ports the "logic" of her speech. Her flesh speaks true. She lays herself bare. In fact, she physically materializes what she's thinking; she signifies it with her body. In a certain way she inscribes what she's saying, because she doesn't deny her drives the intractable and impassioned part they have in speaking. Her speech, even when "theoretical" or political, is never simple or linear or "objectified," generalized: she draws her story into history.”