“The only thing I have learned from life is to endure it, never to question it, and to burn up the longing generated by this in writing. Where this ideal has come from I have no idea, and as I now see it before me, in black and white, it almost seems perverse.”

“Loo, life is black and white. You don't know what's good for you, because you don't see the black and white! You don't see where the black lines end and where the white lines begin! You're going to grow up to be no good if you keep on that way. It's impractical. I only have one child, and I won't have her growing up to be impractical. I can't think of a worse thing to be than impractical!”

“I have no idea where my pathetic nature comes from. If I thought about it too long, it would depress me.”

“Right from the first, I could see a calmness in you - that sort of inner tranquility that they write about in books, but that almost no one seems to possess. I was wondering to myself: How does she do that? And I figured it could only come from having no regrets - from having made choices with .... such poise and purpose.”

“I've demonstrated an impressive resilience in the face of valuable life lessons, and the main thing I seem to have learned from this one is that I am capable of learning nothing from almost any experience, no matter how profound.”

“Throughout my life as I’ve sought to become a published writer of speculative fiction, my strongest detractors and discouragers have been other African Americans. These were people who had, like generations before them, bought into the mythology of racism: black people don’t read. Black people can’t write. Black people have no talents other than singing and dancing and sports and crime. No one wants to read about black people, so don’t write about them. No one wants to write about black people, which is why you never see a black protagonist. Even if you self-publish, black people won’t support you. And if you aim for traditional publication, no one who matters — that is, white people — will buy your work.(A corollary of all this: there is only black and white. Nothing else matters.)Having swallowed these ideas, people regurgitated them at me at nearly every turn. And for a time, I swallowed them, too. As a black woman, I believed I wasn’t supposed to be a writer. Simultaneously I believed I was supposed to write about black people — and only black people. And only within a strictly limited set of topics deemed relevant to black people, because only black people would ever read anything I’d written. Took me years after I started writing to create a protagonist who looked like me. And then once I started doing so, it took me years to write a protagonist who was something different.”