“Where she was admittedly a little self absorbed he was generous. Where she was an emotional box of rocks ,he was stable.”

“In classical pas de deux, the man controls everything. He picks up the girl. He puts her down. He turns her, takes her weight, stops her, and she must always go where he leads. The woman submits to all this completely. But her submission is not feeble. In fact, the only reason she can submit so utterly is because she is very strong in herself. In her center. She does not collapse, or cave, or stutter-step, or flop. No, she holds herself very consciously, very confidently. She is centered within her own weight. So the man always knows where she is. He can feel her. He can absorb her strength.”

“She had no need to ask why he had come. She knew as certainly as if he had told her that he was here to be where she was.”

“Knowing where she was in the world, even if he never touched her, gave him a deep satisfaction, and he half despised himself for being satisfied with so little.”

“See,” he said playfully, and arched his eyebrows. “Admit it.” He moved in. His mouth ame so close to hers that she could practically feel it moving when he spoke. “Admit what?” She put a little tease in her own voice, hoping she drove him crazy as he drove her. “Admit that you like my kisses and yes to going out with me”

“...a box where she was expected to be sweet and sensitive (but not oversensitive); a box for young and pretty girls who were not as bright or powerful as their boyfriends. A box for people who were not forces to be reckoned with.”