“I know California isn't a real destination. You can't get there from New Jersey, not simply by following a line drawn on a map. The process of arrival is more subtle and complex. It involves acts of contrition. You must appease the gods. You must find novel forms of penance. You must tattoo your children and look at the wonder. It's about conjuring and awakening and intuitions you wish you never had.”

“All good writing is built one good line at a time. You build a novel the same way you do a pyramid. One word, one stone at a time, underneath a full moon while the fingers bleed.”

“It's not platinum, which suggests constellations and redemption. It's another yellow entirely. Asthma yellow. It comes from rotting petals and camera flashes that permanently scar your face. It leaks from clusters of stucco that remind me of blisters and lumps you get on your lips from kissing the wrong people.”

“I feel you're far away,” the man might say. He is observing you, calculating, forming equations he may take to a representative of the patriarchy, such as a doctor, a lawyer, or military official. He is considering physical incarceration and/or biochemical imprisonments such as occur with antidepressants. He is dangerous.This is a juncture where you may smile. This is optional. You might allow your lips to form the ambiguous seductive shape of slow regret. Or let your mouth fill with too much night, incinerated maple leaves and fox teeth. What you mean is, not yet.”

“Writing is like hunting. There are brutally cold afternoons with nothing in sight, only the wind and your breaking heart. Then the moment when you bag something big. The entire process is beyond intoxicating.”

“The night stayed outside. She was surprised. She opened her mouth but no sound came out. Instead, blue things flew in, pieces of glass or tin, or necklaces of blue diamond, perhaps. The air was the blue of a pool when there are shadows, when clouds cross the turquoise surface, when you suspect something contagious is leaking, something camouflaged and disrupted. There is only this infected blue enormity, elongating defiantly. The blue that knows you and where you live and it's never going to forget.”

“They will say I smoked cigarettes and marijuana, cursed hoarse as a crow in all my languages, and loved morphine and Demerol and tequila and pulque, women and men. I will shrug my illusion of shoulders and answer that I am a water woman, not a vessel, not something you can sail or charter. I am instead the tributary, the river, the fluid source, and the sea itself. I am all her rainy implications. And what do you, with your rusted compass, know of love?”