“Comprehending at one bound the myth of Demeter and knowing that she was Demeter, that the fountain between her thighs was my own youth and I Persephone, who had come to her in spring and would come forever, for she was my youth, older than I and yet my youth, my ever-recurrent spring, and spring itself only a metaphor for the source, the waters, the hidden river, the tunnel of life between her thighs.”

“Come here." I stop like a thief in a pantomime. And then dive into the warmth next to her. "Snuggling" - surely the most pleasant thing in the world. Scrunching further and further into the mattress as we struggle closer and closer warmer and warmer nearer and nearer, our bodies like a letter fitting into an envelope, my legs over her legs, our hips sliding against each other, her arm tighter and tighter around my shoulders, my face nestled more and more firmly into her collarbone. It is bliss. The simplest and most primitive bliss. A childlike, sexual, friendly, animal bliss.”

“Listening to the sound of the water, her sound, her lovely body glistening through the room a moment from now. There are only moments. Live in this one. The happiness of these days.”

“It was not despair, but it seemed to her as if life were passing by, leaving its promises broken and unfulfilled. Yet there were other days when she listened, was led on and deceived by fresh promises which her youth had held out to her.”

“Writing is so much more problematic than drawing, full of moral pitfalls, ambiguity, public responsibility. If you record a day of your life, does the decision to do so change the shape of the day? One of Doris Lessing's days in The Golden Notebook is fifty-four pages long. It's complete; the rest are summaries - the "impression" of a day foisted artfully upon the reader by providing a few details. Fiction is made this way - as lineal perspective gives the illusion of three dimensions in drawing. But does the selection of a day - that you begin by knowing you must remember and observe - really affect it? Do you change the balance, distort the truth? The period itself, its choice and selection, does that not in itself constitute a kind of misconstruction, and the rest follow subconsciously?”

“There are only moments. Live in this one. The happiness of these days.”

“But madness? That small remnant of altered consciousness, pure or in response to circumstances. Circumstances of life, even those of the body itself and its chemistry. How cruel and stupid to punish this as we do with ostracism and fear, to have forged a network of fear, strong as the locks and bars of a back ward. This is the jail we could all end up in. And we know it. And watch our step. For a lifetime. We behave. A fantastic and entire system of social control, by the threat of example as effective over the general population as detention centers in dictatorships, the image of the madhouse floats through every mind for the course of its lifetime.”