“Perhaps this is the purpose of detective investigations, real and fictional -- to transform sensation, horror and grief into a puzzle, and then to solve the puzzle, to make it go away. 'The detective story,' observed Raymond Chandler in 1949, 'is a tragedy with a happy ending.' A storybook detective starts by confronting us with a murder and ends by absolving us of it. He clears us of guilt. He relieves us of uncertainty. He removes us from the presence of death.”

“Nothing can be more slightly defined than the line of demarcation between sanity and insanity ... Make the definition too narrow, it becomes meaningless; make it too wide, and the whole human race becomes involved in the dragnet. In strictness we are all mad when we give way to passion, to prejudice, to vice, to vanity; but if all the passionate, prejudiced and vain people were to be locked up as lunatics, who is to keep the key to the asylum?"(Editorial, The Times, 22 July 1853)”

“I read Parker's Spenser series in college. When it comes to detective novels, 90 percent of us admit he's an influence, and the rest of us lie about it.”

“Every man that ever lived craved perfect happiness, the detective poignantly reflected. But how can we have it when we know we’re going to die? Each joy was clouded by the knowledge it would end. And so nature had implanted in us a desire for something unattainable? No. It couldn’t be. It makes no sense. Every other striving implanted by nature had a corresponding object that wasn’t a phantom. Why this exception? the detective reasoned. It was nature making hunger when there wasn’t any food. We continue. We go on. Thus death proved life.”

“In The Hunger Games, there's something for everyone. A gripping adventure. A political commentary. A love story. A cautionary tale.Some call it science fiction, some call it potential reality.Some say it's for teenagers, some say it's for adults.The book--and now the film--captures themes and concerns that seem timely.But its real strength, in the end, is that it's timeless. It speaks to us today, and it will speak--even more powerfully--tomorrow.”

“Photographs force us to see people before their future weighed them down, before they knew their endings.”

“If we are all going to have tragedies, if none of us can escape them, then surely we have to learn from them, we have to gain something. And we have to use what we have gained. Those of us who have fought tooth and nail to overcome tragedy are, after all, nothing else, proof that such things can be survived. So we can actually help others survive their tragedies too. As long as they’ll let us.”