“The verge, he likes to say. That's where we want them, the utter, utter verge.”

“[Lindsay] But I don't want to think about all that now, Boring Blake and his broken heart which is really his deflated dick, that's all he cares about anyway...”

“Gone as usual in the morning, and me left behind and naked, inner thighs lightly scaled with the dried spoor of our lovemaking: she liked to stay on top afterward and let the juice run down, and I liked whatever she liked. Imagining in the shower that I could smell her still, the angular scent of those secret bones, had she always smelled so fierce and so good? Recalling those gone times, old memories lit by the fire of the new, I did not this time wonder how long it would last; I was too smart for that now. Take what you get, and don’t think. Of course it could never be that easy, but there were moments, like now, that I could successfully pretend that it was, and I had no inclination to try to peer past those moments. I’m not one who wants to know the future: at the best it spoils the present, with longing or dismay, and at the worst, well. Who really wants to find out how tight the sling is, for your own very personal ass, who wants to know how deep the shit will really be? Not you. Not me either. Because it’s rarely bliss saved up, is it, when you finally get there. I’ll take my now, waking with a lover’s scent on me, around me, take my hopes before they’re maybe tragedy; a good morning is still a good morning, even if it leads to apocalypse at night.”

“Recalling those gone times, old memories lit by the fire of the new, I did not this time wonder how long it would last; I was too smart for that now. Take what you get, and don't think. Of course it could never be that easy, but there were moments, like now, that I could successfully pretend that it was, and I had no inclination to try to peer past those moments. I'm not one who wants to know the future: at the best it spoils the present, with longing or dismay, and at the worst, well. Who really wants to find out how tight the sling is, for your own very personal ass, who wants to know how deep the shit will really be. Not you. Not me either. Because it's rarely bliss saved up, is it, when you finally get there. I'll take my now, waking with a lover's scent on me, around me, take my hopes before they're maybe tragedy; a good morning is a good morning, even if it leads to apocalypse at night.”

“The stage is not only a world apart, it is a myriad of worlds, and in those worlds a man can have anything he fancies, if only he believes in what he sees.”

“I used to send my characters into a fire that necessarily consumed them, but I have learned, a little, how to send them through the fire to a new place. The characters who do not change — most notably Nakota in Cipher, Bibi in Skin, and Lena in Kink — are motivated by an essential selfishness or self-centeredness, an unwillingness to relinquish control to the process, a refusal to become.”

“I knew that change was coming, the way you know things you can't see, by feeling them; by instinct. The way the bees know everything they know.”