“In her dance, she controlled the bright paper birds with invisible wires and threads. She played the human: heavy, tied to earth. Her dances weren't pretty or delightful, but they were magical, [...] They called her a dancer and a puppeteer and an artist. They might have called her a witch, and not the good kind either.”

“In a way, her strangeness, her naiveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like an artist with no art form, she became dangerous.”

“What's the difference between eccentric and crazy?'She lifted her hands above her head, tapped her zills together, and danced out the door. From over her shoulder she laughed and called out, 'Nobody knows!”

“The Earth was singing her revolution. She was calling her brave men and women to her defense.”

“CORALINE'S STORYTHERE WAS A GIRL HER NAME WAS APPLE. SHE USED TO DANCE A LOT. SHE DANCED AND DANCED UNTIL HER FEET TURND INTO SOSSAJES. THE END.”

“Just for a moment Neverfell felt as if there were an invisible wire pulled to razor tautness between her and the other girl, humming tension into the room. If she blundered towards it, it might snap or cut her, and yet she half wished it would, so that she knew where it was.”