“The bird music sank into her, like a song you used to know but forgot long ago. You hear a piano play it some day, and for a minute you feel a happy pain, but you don't know why. Bird felt like that.”

“Where are you anyway? (Acheron)I don't know. I hear some godawful kind of music from outside, horns blaring, and I'm in a house with a Mohawk cuckoo bird, a transvestite, and a knife-wielding lunatic. (Valerius)Why are you at Tabitha's? (Acheron)”

“I used to wonder why Lucy liked those songs so much. You know what I mean? She sits in the dark and listens and cries. Music does that to her...I didn't understand for a long time. But I do now. The sad songs are a safe hurt. It's a diversion. It's controlled. And maybe it helps you imagine that real pain will be like that. But it's not. Lucy knows that, of course. You can't prepare for real pain. You just have to let it rip you apart.”

“I don't know," Valerius said. " I hear some godawful kind of music from outside, horns blaring, and I'm in a house with a mohawk cuckoo bird, a transvestite, and a knife-weilding lunatic.""Why are You at Tabitha's?" Acheron asked”

“The days went by for him, all different and all the same. The boy was happy, and yet he didn't know that he was happy, exactly: he couldn't remember having been unhappy. If one day as he played at the edge of the forest some talking bird had flown down and asked him: "Do you like your life" he would not have known what to say, but would have asked the bird: "Can you not like it?”

“If you like her, if she makes you happy, and if you feel like you know her---then don't let her go.”