“The late evening is the time of times. Then with that unearthly beauty before one it is not hard to realise how far one has to go. To write something that will be worthy of that rising moon, that pale light.”

“Ach, Tchekov! Why are you dead? Why can’t I talk to you in a big darkish room at late evening—where the light is green from the waving trees outside? I’d like to write a series of Heavens: that would be one.”

“I think of you often. Especially in the evenings, when I am on the balcony and it’s too dark to write or to do anything but wait for the stars. A time I love. One feels half disembodied, sitting like a shadow at the door of one’s being while the dark tide rises. Then comes the moon, marvellously serene, and small stars, very merry for some reason of their own. It is so easy to forget, in a worldly life, to attend to these miracles.”

“And the two women stood side by side looking at the slender, flowering tree. Although it was so still it seemed, like the flame of a candle, to stretch up, to point, to quiver in the bright air, to grow taller and taller as they gazed - almost to touch the rim of the round, silver moon. How long did they stand there? Both, as it were, caught in that circle of unearthly light, understanding each other perfectly, creatures of another world, and wondering what they were to do in this one with all this blissful treasure that burned in their bosoms and dropped, in silver flowers, from their hair and hands?”

“The lights, the azaleas, the dresses, the pink faces, the velvet chairs, all became one beautiful flying wheel.”

“Don’t you think the stairs are a good place for reading letters? I do. One is somehow suspended. One is on neutral ground - not in one’s own world nor in a strange one. They are an almost perfect meeting place. Oh Heavens! How stairs do fascinate me when I think of it. Waiting for people - sitting on strange stairs - hearing steps far above, watching the light playing by itself - hearing - far below a door, looking down into a kind of dim brightness, watching someone come up. But I could go on forever. Must put them in a story though! People come out of themselves on stairs - they issue forth, unprotected.”

“Why does one feel so different at night? Why is it so exciting to be awake when everybody else is asleep? Late—it is very late! And yet every moment you feel more and more wakeful, as though you were slowly, almost with every breath, waking up into a new, wonderful, far more thrilling and exciting world than the daylight one. And what is this queer sensation that you’re a conspirator? Lightly, stealthily you move about your room. You take something off the dressing-table and put it down again without a sound. And everything, even the bedpost, knows you, responds, shares your secret…You're not very fond of your room by day. You never think about it. You're in and out, the door opens and slams, the cupboard creaks. You sit down on the side of your bed, change your shoes and dash out again. A dive down to the glass, two pins in your hair, powder your nose and off again. But now–it's suddenly dear to you. It's a darling little funny room. It's yours. Oh, what a joy it is to own things! Mine–my own!”