“There was a time you saw me once, one afternoon, in the dormitories. There was no one else around, and I was playing this tape, this music. I was sort of dancing with my eyes closed and you saw me.''...yes, I remember that occasion. I still think about it from time to time.''That's funny, so do I.”

“That's most interesting. But I was no more a mind-reader then than today. Iwas weeping for an altogether different reason. When I watched you dancing that day, I saw something else. I saw a new world coming rapidly. Morescientific, efficient, yes. More cures for the old sicknesses. Very good. But aharsh, cruel world. And I saw a little girl, her eyes tightly closed, holding to her breast the old kind world, one that she knew in her heart could notremain, and she was holding it and pleading, never to let her go. That is what I saw. It wasn't really you, what you were doing, I know that. But I saw you and it broke my heart. And I've never forgotten.”

“But that doesn't mean to say, of course, there aren't occasions now and then - extremely desolate occasions - when you think to yourself: 'What a terrible mistake I've made with my life.' And you get to thinking about a different life, a better life you might have had. For instance, I get to thinking about a life I may have had with you, Mr. Stevens. And I suppose that's when I get angry about some trivial little thing and leave. But each time I do, I realize before long - my rightful place is with my husband. After all, there's no turning back the clock now. One can't be forever dwelling on what might have been. One should realize one has as good as most, perhaps better, and be grateful.”

“I saw a new world coming rapidly. More scientific, efficient, yes. More cures for the old sicknesses. Very good. But a harsh, cruel, world. And I saw a little girl, her eyes tightly closed, holding to her breast the old kind world, one that she knew in her heart could not remain, and she was holding it and pleading, never to let her go.”

“But you play that passage like it's the -memory- of love. You're so young, yet you know desertion, abandonment. That's why you play that third movement the way you do. Most cellists, they play it with joy. But for you, it's not about joy, it's about the memory of a joyful time that's gone for ever.”

“As I’ve said, it wasn’t until a long time afterwards—long after I’d left the Cottages—that I realized just how significant out little encounter in the churchyard had been. I was upset at the time, yes. But I didn’t believe it to be anything so different from other tiffs we’d had. It never occurred to me that our lives, until then so closely interwoven could unravel and separate over a thing like that.But the fact was, I suppose, there were powerful tides tugging us apart by then, and it only needed something like that to finish the task. If we’d understood that back then—who knows?—maybe we’d have kept a tighter hold of one another.”

“When we lost something precious, and we'd looked and looked and still couldn't find it, then we didn't have to be completely heartbroken. We still had that last bit of comfort, thinking one day, when we grow up, and we were free to travel around the counry, we would always go and find it in Norfolk...And that's why years and years later, that day Tommy and I found another copy of that lost tape of mine in a town on the Norfolk coast, we didn't just think it pretty funny; we both felt deep down some tug, some old wish to believe again in something that was once close to our hearts.”