“But as she continued and finished her tale, I could tell that her heart was elsewhere, and when she excused herself to go to bed, she left without saying good night. After that, the princesses in her stories were always beautiful. Always.”

“Mikhail truly liked Ansel-that much was obvious. he always found excuses to touch her, always smiled at her, always looked at her as if she were the only person in the room. Celeana sloshed her wine around in her glass. If she were being honest, sometimes she thought Sam looked at her that way. But then he'd go and say something absurd, or try to undermine her, and she'd chide herself for even thinking about him. Her stomach tightened. What had Arobynn done to him that night? She should have inquired after him. But in the day's after him, she's been so busy, wrapped up in her rage... She hadn't dared look for him, actually. Because if Arobynn had hurt Sam the way he'd hurt her... Celeana drained the rest of her wine.”

“Tell me the story, Pew. . . .It was a woman.You always say that.There's always a woman somewhere, child; a princess, a witch, a stepmother, a mermaid, a fairy godmother, or one as wicked as she is beautiful, or as beautiful as she is good. Is that the complete list?Then there is the woman you love.Who's she?That's another story.”

“When I met a truly beautiful girl, I would tell her that if she spent the night with me, I would write a novel or a story about her. This usually worked; and if her name was to be in the title of the story, it almost always worked. Then, later, when we'd passed a night of delicious love-making together, after she’d gone and I’d felt that feeling of happiness mixed with sorrow, I sometimes would write a book or story about her. Sometimes her character, her way about herself, her love-making, it sometimes marked me so heavily that I couldn't go on in life and be happy unless I wrote a book or a story about that woman, the happy and sad memory of that woman. That was the only way to keep her, and to say goodbye to her without her ever leaving.”

“She remembered that once, when she was a little girl, she had seen a pretty young woman with golden hair down to her knees in a long flowered dress, and had said to her, without thinking, "Are you a princess?" The girl had laughed very kindly at her and asked her what her name was. Blanche remembered going away from her, led by her mother's hand, thinking to herself that the girl really was a princess, but in disguise. And she had resolved that someday, she would dress as though she were a princess in disguise.”

“She sat with great intensity, giving the whole of her mind to it, and was capable of remaining for an hour almost as motionless as if she were before a photographer's lens. I could see she had been photographed often, but somehow the very habit that made her good for that purpose unfitted her for mine. At first I was extremely pleased with her lady-like air, and it was a satisfaction, on coming to follow her lines, to see how good they were and how far they could lead the pencil. But after a few times I began to find her too insurmountably stiff; do what I would with it my drawing looked like a photograph or a copy of a photograph. Her figure had no variety of expression -- she herself had no sense of variety. You may say that this was my business, was only a question of placing her. I placed her in every conceivable position, but she managed to obliterate their differences. She was always a lady certainly, and into the bargain was always the same lady. She was the real thing, but always the same thing. There were moments when I was oppressed by the serenity of her confidence that she WAS the real thing.”