"The small boys came early to the hanging." - Ken Follett
This powerful opening sentence from Ken Follett's book sets the tone for the rest of the story.
Upon reading this powerful opening line by Ken Follett, take a moment to reflect on the following questions:
This quote from Ken Follett's work encapsulates a haunting juxtaposition between innocence and brutality. The imagery conjured by "small boys" suggests youthfulness and naivety, while "the hanging" introduces a stark, grim reality of violence and punishment. This contrast is significant in highlighting how society can expose even the youngest members to the harsh truths of life and death.
The phrase "came early" implies eagerness or anticipation, which adds a layer of discomfort to the scene. It suggests that the boys are not merely passive witnesses but are drawn to the spectacle, raising questions about human nature and societal norms. Why are they drawn to such violence? Does it reflect a learned desensitization to cruelty or an innate curiosity?
Follett uses this vivid imagery to comment on the loss of innocence and the normalization of violence in society. The small boys, innocent in age, may symbolize a broader commentary on how youth can be shaped by their environment and the shocking realities that surround them. Thus, this quote serves as a powerful reminder of the complex interplay between childhood innocence and the often brutal world in which we live.
The opening line from Ken Follett's work resonates strongly in today’s context, reflecting themes of childhood innocence juxtaposed with the harsh realities of life. It prompts a discussion about how society often exposes children to difficult truths, shaping their perspectives in a world fraught with injustice and moral complexity.
This line can be related to modern discussions around moral education, childhood experiences, and the impact of media on young minds. Just as the small boys in Follett's narrative gather to witness something grim, today's youth are often drawn to narratives—whether through news, social media, or entertainment—that confront them with violence, tragedy, and ethical dilemmas. This scenario raises important questions about how we guide young individuals in understanding the world around them, ensuring they develop empathy and a critical mindset in response to such exposure.
Ultimately, Follett's vivid imagery invites us to reflect on what children witness in today's society and the broader implications for their development and moral compass.
“An optimistic early-rising whore with red lips and red boots sauntered along, smiling hopefully at middle-aged men, but there were no takers at this hour.”
“There was a long moment of silence. Philip was holding his breath. When Remigius looked up again, his face was wet with tears. "Yes , please, Father," he said. "I want to come home." Philip felt a glow of joy. "Come on, then," he said. "Get on my horse."Remigius looked flabbergasted.Jonathan said: "Father! What are you doing?"Philip said to Remigius: "Go on, do as I say."Jonathan was horified, "but Ftaher, how will you travel?""I'll walk," Philip said happily. "One of us must.""Let Remigius walk!" Jonathan said in a tone of outrage."Let him ride," Philip said, "He's pleased God today.""What about you? Haven't you pleased God more than Remigius?""Jesus said there's more joy in heaven over one sinner who repents than over ninety-nine righteous people," Philip countered. "Don't you remember the parable of the prodigal son? When he came home, his father killed the fatted calf. The angels are rejoicing over Remigius's tears. The least I can do is give him my horse.”
“When you're thinking, please remember this: excessive pride is a familiar sin, but a man may just as easily frustrate the will of God through excessive humility.”
“He had been granted his life's wish-but conditionally.”
“Knotty theological questions are the least worrying of problems to me. Why? Because they will be resolved in the hereafter, and meanwhile they can be safely shelved.”
“To someone standing in the nave, looking down the length of the church toward the east, the round window would seem like a huge sun exploding into innumerable shards of gorgeous color.”