“- he's finished with that; it's like an old clock that won't tell time but won't stop neither, with the hands bent out of shape and the face bare of numbers and the alarm bell rusted silent, an old worthless clock that just keeps ticking and cuckooing without meaning nothing.”

Ken Kesey
Time Neutral

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“High high in the hills , high in a pine tree bed.She's tracing the wind with that old hand, counting the clouds with that old chant,Three geese in a flockone flew eastone flew westone flew over the cuckoo's nest”


“He knows you have to laugh at the things that hurt you just to keep yourself in balance... He knows there's a painful side, but he won't let the pain blot out the humor no more'n he'll let the humor blot out the pain.”


“Because he knows you have to laugh at the things that hurt you just to keep yourself in balance, just to keep the world from running you plumb crazy. He knows there's a painful side; he knows my thumb smarts and his girlfriend has a bruised breast and the doctor is losing his glasses, but he won't let the pain blot out the humor no more'n he'll let the humor blot out the pain.”


“The Big Nurse is able to set the wall clock at whatever speed she wants by just turning one of those dials in the steel door; she takes a notion to hurry things up, she turns the speed up, and those hands whip around that disk like spokes in a wheel. The scene in the picture-screen windows goes through rapid changes of light to show morning, noon, and night - throb off and on furiously with day and dark, and everybody is driven like mad to keep up with that passing of fake time; awful scramble of shaves and breakfasts and appointments and lunches and medications and ten minutes of night so you barely get your eyes closed before the dorm light's screaming at you to get up and start the scramble again, go like a sonofabitch this way, going through the full schedule of a day maybe twenty times an hour, till the Big Nurse sees everybody is right up to the breaking point, and she slacks off on the throttle, eases off the pace on that clock-dial, like some kid been fooling with the moving-picture projection machine and finally got tired watching the film run at ten times its natural speed, got bored with all that silly scampering and insect squeak of talk and turned it back to normal.”


“I'd see him do things that didn't fit with his face or hands, things like painting a picture at OT with real paints on a blank paper with no lines or numbers anywhere on it to tell him where to paint, or like writing letters to somebody in a beautiful flowing hand. How could a man who looked like him paint pictures or write letters to people, or be upset and worried like I saw him once when he got a letter back?”


“It's fogging a little, but I won't slip off and hide in it. No...never again...”