“He's got hands so long and white and dainty I think they carved each other out of soap, and sometimes they get loose and glide around in front of him free as two white birds until he notices them and traps them between his knees; it bothers him that he's got pretty hands.”
In this quote, the narrator describes the hands of the character in a unique and poetic way. The comparison of the hands to being "carved out of soap" and moving "free as two white birds" creates a vivid imagery. The character's discomfort with having such delicate and pretty hands suggests a sense of inadequacy or insecurity. This quote could be interpreted as a reflection of the character's inner turmoil or struggle with his self-image.
In today's society, there is a growing awareness and acceptance of gender fluidity and breaking traditional norms of masculinity. This quote from Ken Kesey's novel "One Flew Over the Cuckoo's Nest" sheds light on the idea that men can have traits traditionally associated with femininity, such as delicate hands, and that it is perfectly acceptable. It serves as a reminder to challenge stereotypes and embrace individuality in all forms.
In this quote from Ken Kesey's novel, the character's hands are described as long, white, and delicate, almost like they were carved out of soap. The comparison to birds and the character's self-consciousness about his hands provide rich imagery and insight into his personality.
This quote from Ken Kesey's novel raises interesting questions about the character's perception of his own physical appearance. Consider the following questions:
“I'd see him do things that didn't fit with his face or hands, things like painting a picture at OT with real paints on a blank paper with no lines or numbers anywhere on it to tell him where to paint, or like writing letters to somebody in a beautiful flowing hand. How could a man who looked like him paint pictures or write letters to people, or be upset and worried like I saw him once when he got a letter back?”
“Hank was walking barefoot up the dock, carrying his sweatshirt over a freckled shoulder and his boots clamped between thumb and finger of that maimed hand. Lee marveled at the scamper of small muscles across the narrow white back, at the swing of the arms and the lift of the neck. Did it take that much muscle just to walk, or was Hank showing off his manly development? Every moment constituted open aggression against the very air through which Hank passed. He doesn't just breathe, Lee decided, listening to Hank's broken-nosed puffing, he gobbles the oxygen. He doesn't just walk; he consumes distance step by carnivorous step. Open aggression is what it is all right, he concluded. Yet couldn't help but notice the way those shoulders seemed to savor the swing of the arms, or the way those feel relished the feel of the dock. These people...am I one of these people?”
“She asked if we were calm enough for her to take off the cuffs, and McMurphy nodded. He had slumped over with his head hung and his elbows between his knees and looked completely exhausted--it hadn't occurred to me that it was just as hard for him to stand straight as it was for me.”
“He hadn't let what he looked like run his life one way or the other, any more than he'd let the Combine mill him into fitting where they wanted him to fit.”
“I see he had his shorts on under the towel all along.I think for a fact that she'd rather he'd of been stark naked under that towel than had on those shorts. She's glaring at those big white whales leaping round on his shorts in pure wordless outrage.”
“The secret of being a top-notch con man is being able to know what the mark wants, and how to make him think he's getting it.”