“I'd take a look at my own self in the mirror and wonder how it was possible that anybody could manage such an enormous thing as being what he was.”

“I could now (possibly) go back and restretch those shrunken hours, flake the images separate, arrange them in accurate chronological order, (possibly; with will-power, patience, and the proper chemicals) but being accurate is not necessarily being honest.... Nor is chronological reporting by any means always the most truthful (each camera has its own veracity) especially when, in all good faith, one cannot truthfully claim to remember what happened accurately....”

“I'd see him do things that didn't fit with his face or hands, things like painting a picture at OT with real paints on a blank paper with no lines or numbers anywhere on it to tell him where to paint, or like writing letters to somebody in a beautiful flowing hand. How could a man who looked like him paint pictures or write letters to people, or be upset and worried like I saw him once when he got a letter back?”

“The secret of being a top-notch con man is being able to know what the mark wants, and how to make him think he's getting it.”

“I'd give something to see that. Mostly, I'd just to look over the country around the gorge again, just to bring some of it clear in my mind again. I been away a long time.”

“I'd think, That ain't me, that ain't my face. It wasn't even me when I was trying to be that face. I wasn't even really me then; I was just being the way I looked, the way people wanted. It don't seem like I ever have been me.”

“I'd wander for days in the fog, scared I'd never see another thing, then there'd be that door, opening to show me the mattress padding on the other side to stop out the sounds, the men standing in a line like zombies among shiny copper wires and tubes pulsing light, and the bright scrape of arcing electricity. I'd take my place in the line and wait my turn at the table. The table shaped like a cross, with shadows of a thousand murdered men printed on it, silhouette wrists and ankles running under leather straps sweated green with use, a silhouette neck and head running up to a silver band goes across the forehead. And a technician at the controls beside the table looking up from his dial and down the line and pointing at me with a rubber glove.”