“In this country [England], writers write to entertain, they raise questions of individual existence...but for a Nigerian writer in my position you can't go into that. Literature has to be combative. You cannot have art for art's sake. This art must do something to transform the lives of a community, of a nation. And for that reason, literature has a different purpose altogether in that sort of society...The stories that I tell must have a different sort of purpose from the artist in the Western world...and art, in that instance, becomes so meaningful both to the artist and to the consumers of that art, because you do not just depend on them to read your books, you even have to live a life that they can emulate.”

“The writer cannot be a mere storyteller; he cannot be a mere teacher; he cannot merely X-ray society’s weaknesses, its ills, its perils. He or she must be actively involved shaping its present and its future.”

“Some sort of pressure must exist; the artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn’t look for harmony but would simply live in it. Art is born out of an ill-designed world.”

“Only someone who doesn’t understand art tells an artist their art somehow failed. How the fuck can art fail? Art can’t be graded, because it’s going to mean something different to everyone. You can’t apply a mathematical absolute to art because there is no one formula for self-expression.”

“You don't have to make something that people call art. Living is an artistic activity, there is an art to getting through the day.”

“As writers we intend to make a difference, to alter people's lives for the greater good. . .this is why we write, to have an impact on society, to put a personal stamp on history. . .Art and literature are the legacies we leave to succeeding generations. We'll be forgotten, but our books and essays, our stories and poems can survive us. . .”

“The truth is, anyone who puts so much of herself and her life into art as you do must naturally fear any failure in that art as a potential threat to your life. And so you protect your art more than you protect your health or the common forms of happiness the rest of us have. And you probably have this in common with every artist you admire.”