“He wasn’t sure why he felt so compelled to follow the singing, or why he needed to bring the foot with him, but he knew the two phenomena were connected. And in the midst of the mystery lay his father. His father’s sanity. Nicholas was sure of this.”

“The little girl’s face was from Will’s vilest nightmares. Cavernous mouth, distended chin, bastardized nose. The enormous, bulging eyes glared at Will, demanded he see the truth, commanded him to acknowledge his sin.”

“My brothers’ faces haunt me. I hear their children, my nieces and nephews, asking me why I came home without their daddies. I think of their wives, imagine their questions. Our parents, forever seeing the faces of their lost sons when they look at me. They will want answers, demand to know how I survived. And what do I tell them? That I huddled like a baby inside my tent while their killer beckoned me forth for one last stand?”

“It was hard to see where he was going, and he was careful not to damage the camera, so expensive that his father made him name it (Carl), so he would treat it more carefully.”

“People would call him Professor Fang, which sounded so much like a super villain that he wasn't sure he could go through with it.”

“I'm not so sure he's mad, Father. Just a little devious in his sanity.”

“Hamlet promised himself he’d throw down afterward, but I think perhaps when he said, “From this time forth, my thoughts be bloody, or be nothing worth!” the limits of blank verse weakened his resolve somehow. If he’d been free to follow the dictates of his conscience rather than the pen of Shakespeare, perhaps he would have abandoned verse altogether, like me, and contented himself with this instead: “Bring it, muthafuckas. Bring it.”