“Her beauty was the talk of the valley.It skipped two generations of women in our family, but it sure didn't bypass you, Laila.”

“But Laila has decided that she will not be crippled by resentment. Mariam wouldn’t want it that way. ‘What’s the sense?’ she would say with a smile both innocent and wise. ‘What good is it, Laila jo?’ And so Laila has resigned herself to moving on. For her own sake, for Tariq’s, for her children’s. And for Mariam, who still visits Laila in her dreams, who is never more than a breath or two below her consciousness. Laila has moved on. Because in the end she knows that’s all she can do. That and hope.”

“Laila remembered Mammy telling Babi once that she had married a man who had no convictions. Mammy didn't understand. She didn't understand that if she looked into a mirror, she would find the one unfailing conviction of his life looking right back at her. ”

“‎I know you're still young but I want you to understand and learn this now. Marriage can wait, education cannot. You're a very very bright girl. Truly you are. You can be anything you want Laila. I know this about you. And I also know that when this war is over Afghanistan is going to need you as much as its men maybe even more. Because a society has no chance of success if its women are uneducated Laila. No chance.”

“But the game involves only male names. Because, if it's a girl, Laila has already named her”

“Nine-year-old Laila rose from bed, as she did most mornings, hungry for the sight of her friend Tariq. This morning, however, she knew there would be no Tariq sighting.- How long will you be gone? - She’d asked when Tariq had told her that his parents weretaking him south, to the city of Ghazni, to visit his paternal uncle.- Thirteen days- Thirteen days?- It’s not so long. You’re making a face, Laila.- I am not.- You’re not going to cry, are you?- I am not going to cry! Not over you. Not in a thousand years.She’d kicked at his shin, not his artificial but his real one, and he’d playfully whackedthe back of her head.Thirteen days. Almost two weeks. And, just five days in, Laila had learned a fundamental truth about time: Like the accordion on which Tariq’s father sometimes played old Pashto songs, time stretched and contracted depending on Tariq’s absence or presence.”

“Laila imagines she sees little Mariam there in the hut as a woman who will be like a rock in a riverbed, enduring without complaint, her grace not sullied but SHAPED by by the turbulence that washes over her.”