“I'm sorry," Laila says, marveling at how every Afghan story is marked by death and loss and unimaginable grief. And yet, she sees, people find a way to survive, to go on.”

“But Laila has decided that she will not be crippled by resentment. Mariam wouldn’t want it that way. ‘What’s the sense?’ she would say with a smile both innocent and wise. ‘What good is it, Laila jo?’ And so Laila has resigned herself to moving on. For her own sake, for Tariq’s, for her children’s. And for Mariam, who still visits Laila in her dreams, who is never more than a breath or two below her consciousness. Laila has moved on. Because in the end she knows that’s all she can do. That and hope.”

“She would never leave her mark on Mammy's heart the way her brothers had, because Mammy's heart was like a pallid beach where Laila's footprints would forever wash away beneath the waves of sorrow that swelled and crashed, swelled and crashed. ”

“Boys, Laila came to see, treated friendship the way they treated the sun: its existence undisputed; its radiance best enjoyed, not beheld directly.”

“Laila has moved on. Because in the end she knows that’s all she can do. That and hope.”

“Laila imagines she sees little Mariam there in the hut as a woman who will be like a rock in a riverbed, enduring without complaint, her grace not sullied but SHAPED by by the turbulence that washes over her.”

“Laila remembered Mammy telling Babi once that she had married a man who had no convictions. Mammy didn't understand. She didn't understand that if she looked into a mirror, she would find the one unfailing conviction of his life looking right back at her. ”