“All that sunny afternoon, traveling north and east, Caroline believed absolutely in the future. And why not? For if the worst had already happened to them in the eyes of the world, then surely, surely, it was the worst that they left behind them now.”

“He had handed his daughter to Caroline Gill and that act had led him here, years later, to this girl in motion of her own, this girl who had decided yes, a brief moment of release in the back of a car, in the room of a silent house, this girl who had stood up later, adjusting her clothes, with now knowledge of how that moment was already shaping her life.”

“When he reached the desk he handed Caroline a photograph in a dark blue cardboard frame. It was a portrait, black and white, faintly tinted. The woman looking out wore a pale peach sweater. Her hair was gently waved, her eyes a deep shade of blue. Rupert Dean's wife, Emelda, dead now for twenty years. "She was te love of my life," he announced to Caroline, his voice so loud that people looked up.”

“...Caroline said easily, amazed all over again at this sudden facility she'd developed, the fluidity and ease of her lies.”

“In some deep place in her heart, Caroline had kept alive the silly romantic notion that somehow David Henry had once known her as no one else ever could. But it was not true. He had never even glimpsed her.”

“There was so much force and beauty in the windows, such unsettled sadness in what little I knew of Rose's life, all her longing, her distance from her daughter. Just knowing she had existed opened new and uneasy possibilities within my understanding of the story I'd always thought I'd known by heart. ... Whoever Rose had been, she was gone, unable to speak for herself, fading into the past as surely as these rainy colors were diffusing, even now [p. 142].”

“She had read about people-where? she could not remember this either- who refused to name their children for several weeks, feeling them to not be yet of the earth, suspeded still between two worlds.”