“When he reached the desk he handed Caroline a photograph in a dark blue cardboard frame. It was a portrait, black and white, faintly tinted. The woman looking out wore a pale peach sweater. Her hair was gently waved, her eyes a deep shade of blue. Rupert Dean's wife, Emelda, dead now for twenty years. "She was te love of my life," he announced to Caroline, his voice so loud that people looked up.”

“He had handed his daughter to Caroline Gill and that act had led him here, years later, to this girl in motion of her own, this girl who had decided yes, a brief moment of release in the back of a car, in the room of a silent house, this girl who had stood up later, adjusting her clothes, with now knowledge of how that moment was already shaping her life.”

“In some deep place in her heart, Caroline had kept alive the silly romantic notion that somehow David Henry had once known her as no one else ever could. But it was not true. He had never even glimpsed her.”

“...Caroline said easily, amazed all over again at this sudden facility she'd developed, the fluidity and ease of her lies.”

“Norah looked at her son’s tiny face, surprised, as always, by his name. he had not grown into it yet, he still wore it like a wrist band, something that might easily slip off and disappear. She had read about people – where? she could not remember this either – who refused to name their children for several weeks, feeling them to be not yet of the earth, suspended still between two worlds.”

“his discomfort seemed to soften her, for when he met her eyes again, they were kind.”

“She didn't love him and he didn't love her; she was like an addiction, and what they were doing had a darkness to it, a weight.”