“The Mozart sonata Dad picked out begins to play. When we hear the first note, we open the sacks and the ladybugs escape through the opening, taking flight. It's as if someone has dumped rubies from heaven. Soon they will land on the plants in search of bollworm eggs. But right now they are magic-red ribbons flying over our heads, weaving against the pink sky, dancing up there with Mozart.”

“When we hear a Mozart piano concerto today, we're most likely to hear the piano part played on a modern concert grand. In the hands of a professional pianist, such a piano can bury the strings and the winds and hold its own against the brass. But Mozart wasn't composing for a nine-foot-long, thousand-pound piano; he was composing for a five-and-a-half-foot-long, hundred-and-fifty-pound piano built from balsa wood and dental floss.”

“If the egg splits, its sides falling open just enough for the fuzz-capped head of the child to emerge, then the story might be allowed to end. When the egg is found crushed, wet pieces tucked quickly into the open mouth of the tree, then we have little choice but to begin again. Often, after peeking through loose fingers held as wings over our eyes, we look for fragments, hoping they remain piled, split and sharded, not growing, as magnets, back together.”

“Islam was like a mental cage. At first, when you open the door, the caged bird stays inside: it is frightened. It has internalized its imprisonment. It takes time for bird to escape, even after someone has opened the doors to its cage.”

“Art has always been my salvation. And my gods are Herman Melville, Emily Dickinson, Mozart. I believe in them with all my heart. And when Mozart is playing in my room, I am in conjunction with something I can’t explain — I don’t need to. I know that if there’s a purpose for life, it was for me to hear Mozart. Or if I walk in the woods and I see an animal, the purpose of my life was to see that animal. I can recollect it, I can notice it. I’m here to take note of. And that is beyond my ego, beyond anything that belongs to me, an observer, an observer.”

“Presently, I sense within me the slightest touch. The harmony of one chord lingers in my mind. It fuses, divides, searches--but for what? I open my eyes, position the fingers of my right hand on the buttons, and play out a series of permutations.After a time, I am able, as if by will, to locate the first four notes. They drift down from inward skies, softly, as early morning sunlight. They find me; these are the notes I have been seeking.I hold down the chord key and press the individual notes over and over again. The four notes seem to desire further notes, another chord. I strain to hear the chord that follows. The first four notes lead me to the next five, then to another chord and three more notes.It is a melody. Not a complete song, but the first phrase of one. I play the three chords and twelve notes, also, over and over again. It is a song, I realize, I know.”