“But while the residents were shocked by the violence, they were also often surprised by the mundaneness of it all. Discovered the extent of perversity the heart is capable of as they sat at home with nothing to do, and found that it was possible, faced with the stench of unimaginable evil, for a human being to grow bored, yawn, be absorbed by the problem of a missing sock, by neighborly irritations, to feel hunger skipping like a little mouse inside a tummy and return, once again, to the pressing matter of what to eat.... There they were, the most commonplace of them, those quite mismatched with the larger-than-life questions, caught up in the mythic battles of past vs. present, justice vs. injustice—the most ordinary swept up in extraordinary hatred, because extraordinary hatred was, after all, a commonplace event.”
“They were falling back into familiarity, into common ground, into the dirty gray. Just ordinary humans in ordinary opaque boiled-egg light, without grace, without revelation, composite of contradictions, easy principles, arguing about what they half believed in or even what they didn't believe in at all, desiring comfort as much as raw austerity, authenticity as much as playacting, desiring coziness of family as much as to abandon it forever. Cheese and chocolate they wanted, but also to kick all these bloody foreign things out. A wild daring love...but also a rice and dal love blessed by the unexciting feel of everyday, its surprises safely enmeshed in something solidly familiar...Every single contradiction history or opportunity might make available to them, every contradiction they were heir to, they desired. But only as much, of course, as they desired purity and a lack of contradiction.”
“How could anything be the same? The red of blood lay over the market road in slick pools mingled with a yellow spread of dal someone must have brought in anticipation of a picnic after the parade, and there were flies on it, left behind odd slippers, and a sad pair of broken spectacles, even a tooth. It was rather like the government warning about safety that appeared in the cinema before the movie with the image of a man cycling to work, a poor man but with a wife who loved him, and she had sent his lunch with him in a tiffin container; then came a blowing of horns and small, desperate cycle tinkle, and a messy blur clearing into the silent still image of a spread of food mingled with blood. Those mismatched colors, domesticity shuffled with death, sureness running into the unexpected, kindness replaced by the image of violence, always made the cook feel like throwing up and weeping both together.”
“Looking a dead insect in the sack of basmati that had come all the way from Dehra Dun, he almost wept with sorrow and marvel at its journey, which was tenderness for his own journey. In India almost nobody would be able to afford this rice, and you had to travel around the world to be able to eat such things where they were cheap enough that you could gobble them down without being rich; and when you got home to the place where they grew, you couldn't afford them anymore.”
“He wasn't a bad person. He didn't want to fight. The trouble was that he'd tried to be part of the larger questions, tried to become part of politics and history. Happiness had a smaller location, though this wasn't something to flaunt, of course; very few would stand up and announce, 'Actually, I'm a coward,' but his timidity might be disguised, well, in a perfectly ordinary existence situated between meek contours...Cowardice needed its facade, its reasoning, like anything else if it was to be his life's principle. Contentment is no easy matter. One had to situate it cannily, camoflauge it, pretend it was something else.”
“The present changes the past. Looking back you do not find what you left behind.”
“A man wasn't equal to an animal, not one particle of him. Human life was stinking corrupt, and meanwhile there were beautiful creatures who lived with delicacy on the earth without doing anyone harm. "We should be dying." the judge almost wept.”