“Let nobody fool you, most couples are conjoined on earth. The mismatches, now they are a different story. They are made in heaven”

“Gurus Enable you to see new things. The trouble with Gurus is that you can rarely see beyond them.”

“No amount of culture or civilization can subdue or hide the wanton violence in man.”

“If your grip on coins of life is not strong enough than they will gradually slip away from your hands,for surely one day you will find that your hands are empty”

“But while the residents were shocked by the violence, they were also often surprised by the mundaneness of it all. Discovered the extent of perversity the heart is capable of as they sat at home with nothing to do, and found that it was possible, faced with the stench of unimaginable evil, for a human being to grow bored, yawn, be absorbed by the problem of a missing sock, by neighborly irritations, to feel hunger skipping like a little mouse inside a tummy and return, once again, to the pressing matter of what to eat.... There they were, the most commonplace of them, those quite mismatched with the larger-than-life questions, caught up in the mythic battles of past vs. present, justice vs. injustice—the most ordinary swept up in extraordinary hatred, because extraordinary hatred was, after all, a commonplace event.”

“Biju knew he probably wouldn’t see him again. This was what happened, he had learned by now. You lived intensely with others, only to have them disappear overnight, since the shadow class was condemned to movement. The men left for other jobs, towns, got deported, returned home, changed names. Sometimes someone came popping around a corner again, or on the subway, then they vanished again. Adresses, phone numbers did not hold. The emptiness Biju felt returned to him over and over, until eventually he made sure not to let friendships sink deep anymore./The Inheritance of Loss”

“How could anything be the same? The red of blood lay over the market road in slick pools mingled with a yellow spread of dal someone must have brought in anticipation of a picnic after the parade, and there were flies on it, left behind odd slippers, and a sad pair of broken spectacles, even a tooth. It was rather like the government warning about safety that appeared in the cinema before the movie with the image of a man cycling to work, a poor man but with a wife who loved him, and she had sent his lunch with him in a tiffin container; then came a blowing of horns and small, desperate cycle tinkle, and a messy blur clearing into the silent still image of a spread of food mingled with blood. Those mismatched colors, domesticity shuffled with death, sureness running into the unexpected, kindness replaced by the image of violence, always made the cook feel like throwing up and weeping both together.”