“There are, broadly speaking, three directly analogous progressions inthe history of art: in Antiquity, from the blockiness of Egyptian art to the loose, painterly handling of Roman landscape frescoes; in the Middle Ages, from the tectonic emphasis of Ottonian art to the flamboyance of late Gothic; and in later times, from early Renaissance linearity to the sparkling web of light spun by the Rococo. The wheel turns full circle, but more rapidly each time. ”

“To me there is no past or future in art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today that it ever was.”

“I lacked the knowledge of linear perspective needed to get into the art school, so now I whitewash walls and imagine I’m heaven’s landscape painter.”

“Art is the social antithesis of society, not directly deducible from it.”

“It has been sometimes argued that there is no truer criterion of the vitality of any given art-period than the power of the master-spirits of that time in grotesque; and certainly in the instance of Gothic art there is no disputing the proposition.”

“There is no greater motor for architecture than religious fervor. Ancient examples include the Inca, Aztec Egyptian civilizations. In more recent times, Christianity gave rise to the Gothic and Romanesque architecture of the European middle ages and Islam produced the wonders of the Ottoman Empire.”