“The writer must be able to revel and roll in the abundance of words; he must know not only the direct but also the secret power of a word. There are overtones and undertones to a word, and lateral echoes, too.”

“The poet must always, in every instance, have the vibrant word... that by it's trenchancy can so wound my soul that it whimpers.... One must know and recognize not merely the direct but the secret power of the word; one must be able to give one's writing unexpected effects. It must have a hectic, anguished vehemence, so that it rushes past like a gust of air, and it must have a latent, roistering tenderness so that it creeps and steals one's mind; it must be able to ring out like a sea-shanty in a tremendous hour, in the time of the tempest, and it must be able to sigh like one who, in tearful mood, sobs in his inmost heart.”

“A country preacher could not have looked more full of milk and honey than this formidable writer, whose words had always left long bloody marks wherever they fell.”

“I have no respect to merchants and preachers; as far as I’m concerned, their only talent is coming up with the right word at the right time. What is a professional preacher, really? He is a kind of middleman who for the wrong reasons tries to make people buy his goods. The more he sells, the more his stock rises. The louder he hawks his wares, the larger his business grows.”

“I imagined I had discovered a new word. I rise up in bed and say, "It is not in the language; I have discovered it. 'Kuboa.' It has letters as a word has. By the benign God, Man you have discovered a word!... 'Kuboa' ... a word of profound import.[...]Some minutes pass over, and I wax nervous; this new word torments me unceasingly, returns again and again, takes up my thoughts, and makes me serious. I had fully formed an opinion as to what it should not signify, but had come to no conclusion as to what it should signify.[...]Then it seems to me that some one is interposing, interrupting my confab. I answer angrily, "Beg pardon! You match in idiocy is not to be found; no, sir! Knitting cotton? Ah! go to hell!" Well, really I had to laugh. Might I ask why should I be forced to let it signify knitting cotton, when I had a special dislike to its signifying knitting cotton?”

“The intelligent poor individual was a much finer observer than the intelligent rich one. The poor individual looks around him at every step, listens suspiciously to every word he hears from the people he meets; thus, every step he takes presents a problem, a task, for his thoughts and feelings. He is alert and sensitive, he is experienced, his soul has been burned...”

“I lie and repeat these words over to myself, and find that they are capital. Little by little others come and fit themselves to the preceding ones. I grow keenly wakeful. I get up and snatch paper and pencil from the table behind my bed. It was as if a vein had burst in me ; one word follows another, and they fit themselves together harmoniously with telling effect. Scenes piles on scene, actions and speeches bubble up in my brain, and a wonderful sense of pleasure empowers me. I write as one possessed, and fill page after page without a moment’s pause”