“Furthermore--though it was quite irrelevant now--he had no idea his killer, Kazuo Kiriyama, had, in his mansion that was much larger than Toshinori's home in Shiroiwa-cho, mastered the violin at a level far superior to Toshinori's a long time ago--and then tossed his violin into the trash.”

“When he thought of her, it rather amazed him, that he had let that girl with her violin go. Now, of course, he saw that her self-effacing proposal was quite irrelevant. All she had needed was the certainty of his love, and his reassurance that there was no hurry when a lifetime lay ahead of them. Love and patience- if only he had had them both at once- would surely have seen them both through.”

“A violinist had a violin, a painter his palette. All I had was myself. I was the instrument that I must care for.”

“He lifted the violin to his shoulder then, and raised the bow. And he played.”

“Wo wei ni xie de,” he said, as he raised the violin to his left shoulder, tucking it under his chin. He had told her many violinists used a shoulder rest, but he did not: there was a slight mark on the side of his throat, like a permanent bruise, where the violin rested. “You — made something for me?” Tessa asked.“I wrote something for you,” he corrected, with a smile, and began to play.”

“It was pitch dark. I could hear only the violin, and it was as though Juliek's soul were the bow. He was playing his life. The whole of his life was gliding on the strings--his last hopes, his charred past, his extinguished future. He played as he would never play again...When I awoke, in the daylight, I could see Juliek, opposite me, slumped over, dead. Near him lay his violin, smashed, trampled, a strange overwhelming little corpse.”