“I remember being in the mood for love at the slightest provocation- your nubile body feeling undeniably illicit, under mine, rhyming, heaving, breathing together, each other, squirrel hands, down and across and stolen kisses, on and not on the lips. Then leaving scorching beds the color of the red desert sun and strawberry flavored. Your mysterious skin, salt lips: touching, each other. My libido, your mascara- getting all messed up in those rains, realizing for the first time that lust gnaws had no language, race, religion or brotherhood.’('Left from Dhakeshwari')”

“I had no eyelashes left. So when I cried, the tears rolled down, unabated to my mouth. My saliva tasted those days, like a salt lake. Or so he said.'('Left from Dhakeshwari')”

“I want to kiss your forehead; my love now is so evolved. I want to hold your hand and see all the little marks and nicks and find out how they happened. I want to assimilate myself in your identity, to have my existence intertwined with yours. I want to know what all stories still lie hidden in you.'('Left from Dhakeshwari')”

“She had thought, instinctively, that Victoria had a remarkably beautiful face. The face showed an alert awareness of life: her lips- full, overblown like clown-lips liable to laugh at the slightest provocation. She thought that her features were not chiseled but almost rugged, handsome, like a colloquial swear-word or a Vermeer peasant-girl, and a knock out at that. An overdone face, like one having two chins, two noses, that was big and abundantly cheerful but at the same time, there was a peculiarly puffy look about those eyes.’('Left from Dhakeshwari')”

“I had wanted to hate you that day. Believe me, I had. And then suddenly, staring at me incredulously, your extra half-tooth had blurted out aloud, ‘You get dimples on both cheeks!’ your immaculate lisp intact, on both the ‘s’es. I remember that second, the way your hair fell, the nankhatais on my tongue and the strains of Akhtar’s melody in the air. I had fallen in love with you then. I miss that second.’('Left from Dhakeshwari')”

“There would remain no sign of you ever having played in this house. Your childhood is going to be swept under a camel-skin rug and elevators are going to be built over the lake we once swam in. This address, as we know it, would be lost forever and we’ll wake up in a box-sized room: cramped, trampled and sensationally unhappy.'('Left from Dhakeshwari')”

“In your rare embrace, sometimes I am lost nowadays. In these years, you have changed. I have changed. Every single day, we’re fighting our feuds silently; inventing devious ways to hurt one another. Our gazes keep to our feet: wavering, pirouetting and crisscrossing, so as to not stumble, even inadvertently, upon each other. Our windows look out at other windows looking in at us. Mynahs no longer come by in our balconies. Branches, not of a mango tree, but of a conglomerate, surround them instead. The silhouettes of concrete buildings sometimes shine in the rain's aftermath, but remain concrete. Today, as the Ganga rises and rages all over the city, people run for their lives, but I let it wash over my soul and flood my tears.’('Left from Dhakeshwari')”