“She taught me how to wear a Tangail saree, she taught me Julius Caesar. She taught me how to deal with the pain of a broken heart.’('Left from Dhakeshwari')”

“But think of me fondly right till the end. Think of me always as your brother's friend. Think of me whenever you see an Amrood tree. Think of me on cold winter nights.’ ('Left from Dhakeshwari')”

“In those hours when the night is still dark and cold, we see Alokananda waking up to the faint sound of stifled sobs. The sheets besides her are creaseless, sleepless. She gets up silently, her body: blank, a patchwork of frugal impulses. She gathers the warmth of her Pashmina shawl around her, the shawl that she knows still hides threads from a shirt or two of his: remnants of embraces, once feisty and long forgotten.’('Left from Dhakeshwari')”

“Why weren’t you beautiful? That would’ve solved everything.’('Left from Dhakeshwari')”

“For feverish mornings after he left, she lay awake in that guest room in their house, in the rumples of the sheet he had slept in. She would get him on every turn: his aftershave lingering on the sides of the pillow that sometimes caught her, waking up from her dreams of him, in nuclear nights, his gaze: drenching her like water drops on burning rocks. She herself didn’t have any smell. He had to really lean in the first time to make out the attar amidst the freckles on her neck. And then there would be at least two, never only one: Jasmine and that other thing that he could never place- a smell that was between imitation pearls and the insides of a Durga Puja afternoon. On some days even in Simla, this she, would waft in by his collars nonchalantly.’('Left from Dhakeshwari')”

“She had thought, instinctively, that Victoria had a remarkably beautiful face. The face showed an alert awareness of life: her lips- full, overblown like clown-lips liable to laugh at the slightest provocation. She thought that her features were not chiseled but almost rugged, handsome, like a colloquial swear-word or a Vermeer peasant-girl, and a knock out at that. An overdone face, like one having two chins, two noses, that was big and abundantly cheerful but at the same time, there was a peculiarly puffy look about those eyes.’('Left from Dhakeshwari')”

“I had wanted to hate you that day. Believe me, I had. And then suddenly, staring at me incredulously, your extra half-tooth had blurted out aloud, ‘You get dimples on both cheeks!’ your immaculate lisp intact, on both the ‘s’es. I remember that second, the way your hair fell, the nankhatais on my tongue and the strains of Akhtar’s melody in the air. I had fallen in love with you then. I miss that second.’('Left from Dhakeshwari')”