“There would remain no sign of you ever having played in this house. Your childhood is going to be swept under a camel-skin rug and elevators are going to be built over the lake we once swam in. This address, as we know it, would be lost forever and we’ll wake up in a box-sized room: cramped, trampled and sensationally unhappy.'('Left from Dhakeshwari')”

“When we were children, Bapi used to dress us up in the same clothes, going to Apsara for ‘Titanic’ or reruns of ‘Dadar Kirti’ and we used to be so embarrassed by that, even at six. Day before yesterday when I saw Neev and you wearing matching purple shirts, I encountered envy for the first time. You had taken on his colors, as though you were in his house already. I felt as though that moment you had stopped needing me to make you feel whole and nothing was ever going to remain the same.’('Left from Dhakeshwari')”

“In those hours when the night is still dark and cold, we see Alokananda waking up to the faint sound of stifled sobs. The sheets besides her are creaseless, sleepless. She gets up silently, her body: blank, a patchwork of frugal impulses. She gathers the warmth of her Pashmina shawl around her, the shawl that she knows still hides threads from a shirt or two of his: remnants of embraces, once feisty and long forgotten.’('Left from Dhakeshwari')”

“For feverish mornings after he left, she lay awake in that guest room in their house, in the rumples of the sheet he had slept in. She would get him on every turn: his aftershave lingering on the sides of the pillow that sometimes caught her, waking up from her dreams of him, in nuclear nights, his gaze: drenching her like water drops on burning rocks. She herself didn’t have any smell. He had to really lean in the first time to make out the attar amidst the freckles on her neck. And then there would be at least two, never only one: Jasmine and that other thing that he could never place- a smell that was between imitation pearls and the insides of a Durga Puja afternoon. On some days even in Simla, this she, would waft in by his collars nonchalantly.’('Left from Dhakeshwari')”

“That was our first home. Before I felt like an island in an ocean, before Calcutta, before everything that followed. You know it wasn’t a home at first but just a shell. Nothing ostentatious but just a rented two-room affair, an unneeded corridor that ran alongside them, second hand cane furniture, cheap crockery, two leaking faucets, a dysfunctional doorbell, and a flight of stairs that led to, but ended just before the roof (one of the many idiosyncrasies of the house), secured by a sixteen garrison lock, and a balcony into which a mango tree’s branch had strayed. The house was in a building at least a hundred years old and looked out on a street and a tenement block across it. The colony, if you were to call it a colony, had no name. The house itself was seedy, decrepit, as though a safe-keeper of secrets and scandals. It had many entries and exits and it was possible to get lost in it. And in a particularly inspired stroke of whimsy architectural genius, it was almost invisible from the main road like H.G. Wells’ ‘Magic Shop’. As a result, we had great difficulty when we had to explain our address to people back home. It went somewhat like this, ‘... take the second one from the main road….and then right after turning left from Dhakeshwari, you will see a bird shop (unspecific like that, for it had no name either)… walk straight in and take the stairs at the end to go to the first floor, that’s where we dwell… but don’t press the bell, knock… and don't walk too close to the cages unless you want bird-hickeys…’’('Left from Dhakeshwari')”

“I had no eyelashes left. So when I cried, the tears rolled down, unabated to my mouth. My saliva tasted those days, like a salt lake. Or so he said.'('Left from Dhakeshwari')”

“Baby, I bear remnants of you on my body, on my soul. I always have, I always will, gladly. I just want you to know that.’('Left from Dhakeshwari')”