“He gave me the key, which I later discovered would open practically every door in the hotel. I thanked him, and I made a small mistake we irony collectors often make: I tried to share an irony with a stranger. It can’t be done. I told him I had been in the Arapahoe before—in Nineteen-hundred and Thirty-one. He was not interested. ”

“He dabbed at his tuxedo with a damp rag, and the fungi came away easily. "Hate to do this, Bill," he said of the fungi he was murdering. "Fungi have as much right to life as I do. they know what they want, Bill. Damned if I do anymore."Then he thought about what Bill himself might want. It was easy to guess. "Bill," he said, "I like you so much, and I am such a big shot in the Universe, that I will make your three biggest wishes come true." He opened the door of the cage, something Bill couldn't have done in a thousand years.Bill flew over to the windowsill. He put his little shoulder against the glass. there was just one layer of glass between Bill and the great out-of-doors. Although Trough was in the storm window business, he had no storm windows on his own abode."Your second wish is about to come true," said Trout, and he again did something which Bill could never have done. he opened the window. But the opening of the window was such an alarming business to the parakeet that he flew back to his cage and hopped inside.Trout closed the door of the cage and latched it. "That's the most intelligent use of three wishes I ever heard of," he told the bird. "You made sure you'd still have something worth wishing for--to get out of the cage.”

“You know what truth is? [...] It's some crazy thing my neighbor believes. If I want to make friends with him, I ask him what he believes. He tells me, and I say, "Yeah, yeah - ain't it the truth?”

“I don't think he was knowable. I mean, when most people talk about knowing somebody a lot or a little, they're talking about the secrets they've been told or haven't been told. They're talking about intimate things, family things, love things," that nice old lady said to me. "Mr. Hoenikker had all those things in his life, the way every living person has to, but they weren't the main things with him.”

“I told him that if we doubted that we are demons in Hell, he should read The Mysterious Stranger, which Mark Twain wrote in 1898, long before the First World War (1914-1918). In the title story he proves to his own grim satisfaction, and to mine as well, that Satan and not God created the planet earth and "the damned human race." If you doubt that, read your morning paper. Never mind what paper. Never mind the date.”

“I think about my education sometimes. I went to the University of Chicago for awhile after the Second World War. I was a student in the Department of Anthropology. At that time they were teaching that there was absolutely no difference between anybody.They may be teaching that still.Another thing they taught was that no one was ridiculous or bad or disgusting. Shortly before my father died, he said to me, ‘You know – you never wrote a story with a villain in it.’I told him that was one of the things I learned in college after the war.”

“As I approached my fiftieth birthday, I had become more and more enraged and mystified by the idiot decisions made by my countrymen. And then I had come suddenly to pity them, for I understood how innocent and natural it was for them to behave so abominably, and with such abominable results: They were doing their best to live like people invented in story books. This was the reason Americans shot each other so often: It was a convenient literary device for ending short stories and books.Why were so many Americans treated by their government as though their lives were as disposable as paper facial tis-sues? Because that was the way authors customarily treated bit-part players in their made-up tales.And so on.Once I understood what was making America such a dangerous, unhappy nation of people who had nothing to do with real life, I resolved to shun storytelling. I would write about life. Every person would be exactly as important as any other. All facts would also be given equal weightiness. Nothing would be left out. Let others bring order to chaos. I would bring chaos to order, instead, which I think I have done. If all writers would do that, then perhaps citizens not in the literary trades will understand that there is no order in the world around us, that we must adapt ourselves to the requirements of chaos instead. It is hard to adapt to chaos, but it can be done. I am living proof of that: It can be done.”