“I have been a soreheaded occupant of a file drawer labeled "science fiction" ... and I would like out, particularly since so many serious critics regularly mistake the drawer for a urinal.”

“I became a so-called science fiction writer when someone decreed that I was a science fiction writer. I did not want to be classified as one, so I wondered in what way I'd offended that I would not get credit for being a serious writer. I decided that it was because I wrote about technology, and most fine American writers know nothing about technology. I got classified as a science fiction writer simply because I wrote about Schenectady, New York. My first book, Player Piano, was about Schenectady. There are huge factories in Schenectady and nothing else. I and my associates were engineers, physicists, chemists, and mathematicians. And when I wrote about the General Electric Company and Schenectady, it seemed a fantasy of the future to critics who had never seen the place.”

“The books he and his supporters wanted out of the schools, one of mine among them, were not pornographic, although he would have liked our audience to think so. (There is the word "motherfucker" one time in my Slaughterhouse-Five, as in "Get out of the road, you dumb motherfucker." Ever since that word was published, way back in 1969, children have been attempting to have intercourse with their mothers. When it will stop no one knows.)”

“I have since tried out this human-beings-as-nothing-but-radio-receivers theory on Paul Slazinger, and he toyed with it some. "So Green River Cemetery is full of busted radios," he mused, "and the transmitters they were tuned to still go on and on.""That's the theory," I said.He said that all he'd been able to receive in his own head for the past twenty years was static and what sounded like weather reports in some foreign language he'd never heard before.”

“I can't tell if you're serious or not,' said the driver. I won't know myself until I find out if life is serious or not,' said Trout. 'It's dangerous, I know, and it can hurt a lot. That doesn't necessarily mean it's serious, too.”

“Rosewater was twice as smart as Billy, but he and Billy were dealing with similar crises in similar ways. They had both found life meaningless, partly because of what they had seen in war. Rosewater, for instance, had shot a fourteen-year-old fireman, mistaking for a German soldier. So it goes. And Billy had seen the greatest massacre in European history, which was the fire-bombing of Dresden. So it goes. So they were trying to re-invent themselves and their universe. Science fiction was a big help.”

“I have had all I can stand of not taking myself seriously.”