“My advice to writers just starting out? Don't use semi-colons! They are transvestite hermaphrodites, representing exactly nothing. All they do is suggest you might have gone to college.”

“Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.”

“Let me note that Kilgore Trout and I have never used semicolons. They don't do anything, don't suggest anything. They are transvestite hermaphrodites.”

“I realize that some of you may have come in hopes of hearing tips on how tobecome a professional writer. I say to you, "If you really want to hurt yourparents, and you don't have the nerve to be a homosexual, the least you cando is go into the arts. But do not use semicolons. They are transvestitehermaphrodites, standing for absolutely nothing. All they do is show you'vebeen to college.”

“Here is a lesson in creative writing.First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.And I realize some of you may be having trouble deciding whether I am kidding or not. So from now on I will tell you when I'm kidding.For instance, join the National Guard or the Marines and teach democracy. I'm kidding.We are about to be attacked by Al Qaeda. Wave flags if you have them. That always seems to scare them away. I'm kidding.If you want to really hurt your parents, and you don't have the nerve to be gay, the least you can do is go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.”

“Now lend me your ears. Here is Creative Writing 101: 1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted. 2. Give the reader at least one character he or she can root for. 3. Every character should want something, even if it is only a glass of water. 4. Every sentence must do one of two things—reveal character or advance the action. 5. Start as close to the end as possible. 6. Be a sadist. No matter sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of. 7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia. 8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages. The greatest American short story writer of my generation was Flannery O'Connor (1925-1964). She broke practically every one of my rules but the first. Great writers tend to do that.”

“The things other people have put into my head, at any rate, do not fit together nicely, are often useless and ugly, are out of proportion with one another, are out of proportion with life as it really is outside my head.”